Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

Live: Dean Wareham

Feb 21, 2011
-
Posted by SOURCE Writers

Dean Wareham live show reviewed for Brighton SOURCE magazine, Brighton's best music, arts and listings magazine.

Ringo Deathstarr only play for 20 minutes, but it takes only 20 seconds to realise these Texan shoe-gazing disciples are nothing short of blistering live. The trio pummel you into submission with fuzzed-up My Bloody Valentine and Jesus and Mary Chain-inspired songs, all with just enough of an underlying melody to keep you hooked.

Big-haired guitarist Elliot Frazier and female bassist Alex Gehring share singing duties, but it’s when the latter takes over on songs like ‘Imagine Hearts’ that they come into their own. The contrast between her silky vocals and a barrage of biting guitar is immense, and incredibly impressive. Okay, It’s nothing new and it’s never going to change the world, but it’s bloody good.

The frenzied support set couldn’t be further removed from Dean Wareham. He sauntered on stage seemingly oblivious to how excited many people were at the prospect of seeing him play Galaxie 500 songs, 20 years after the hugely influential band’s demise. With three album’s worth of dreamy and enigmatic material to pick from, Wareham didn’t scrimp when it came to delivering the favourites. Aided by his partner Britta on bass and a touring drummer, Snowstorm got an early outing, showcasing Wareham’s trademark eerie vocals and stripped down guitar-lines to fine effect before one of the highlights of debut album ‘Today’, their tender take on Jonathan Richman’s ‘Don’t Let Our Youth Go To Waste’, got a rapturous reception.

While the crowd was by no means large, probably 150 at most, you knew that those present had waited a long time to see these songs live. But it was a sense of expectation and anticipation that seemed lost on Wareham. He was never known for engaging in much banter or putting on a visual performance, but at times tonight it felt like he was going through the motions. As the set went on, the likes of ‘Tugboat’ and ‘Fourth of July’ reaffirmed why no-one here would have missed the chance of seeing them played live, but I’m not sure if Wareham was relishing playing them. Galaxie 500 were criminally underrated in their day, but there’s plenty of people today who want to give them the credit they are due. Maybe Wareham just needs to embrace it a little bit more.

Dean Wareham,Ringo Deathstarr
Komedia
Wednesday 16th February 2011

Words by Gary Scattergood

Feb 21, 2011
Email
SOURCE Writers
Sometimes an article is a bit of a team effort, and those are tagged SOURCE Writers. If you’d like to be part of that team, hit the Contact link at the top and get your work on this website.
← PREVIOUS POST
The Governess Presents
NEXT POST →
Live: Sleigh Bells
Mailing List

Recent Posts
  • Sister Sledge Interview
    Jun 11, 2026

    We spoke to the iconic soul family about jazz, Philly Soul and their love of the temperamental British weather.

  • Fate Train Review
    Jun 11, 2026

    Dealing with grief and meeting the three Norse Gods of Fate: Fate Train is original and has interesting ideas with future potential.

  • Jane Eyre Review
    Jun 11, 2026

    A stunning production of Polly Teale’s adaptation of Charlotte Brontë’s classic, told with precision and imagination by a talented team.

  • The Beekeeper of Aleppo Review
    Jun 10, 2026

    A stunning production, Nuri and Afra’s journey from war torn Syria told in a beautiful, extremely accessible way with care and respect.

  • A Midsummer Night’s Dream Review
    Jun 9, 2026

    This Is My Theatre prove that the best way to tell the story of A Midsummer Night’s Dream is with only three people: an absolute must see.

  • The Spy Who Came In From The Cold
    Jun 3, 2026

    A surprising spy story entwined with less convincing love story adapted from the master spy thriller writer, with some superb acting.

  • Beyond Boundaries Festival, Saturday 26th September
    Jun 2, 2026

    The final names have been announced for this late summer dance music festival at Stanmer Park.

  • Operation Mincemeat Review
    May 27, 2026

    The best-reviewed show in West End history visits Theatre Royal Brighton - a hilarious homage to one of WWII's best kept secrets!

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Live: Dean Wareham - Brighton Source