A love of signwriting and some masterful glassblowing allows Andy Doig to illuminate the gallery with an avalanche of large crosses and star shapes. He’s inspired by fairground art from the 1960s and 1970s, which apparently helped allay any fears of dodgy mechanisms, and also presents Kiss Me Quick, a neon flashback to his daytrips to Bohemia-by-the-Sea as a yoof. Yes and Silence, two pieces handbuilt in acrylics, are tributes to European signage techniques of the 1970s. (BM)

Ink_d, until Fri 9th