Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

Happy Mondays Review

Jun 4, 2013
-
Posted by Stuart Huggett

Thursday 23rd November, 1989, and The Stone Roses and Happy Mondays both make their debut appearance on Top Of The Pops, bringing the twin engines of the breaking Manchester scene into the nation’s living rooms (808 State were on the week before – brilliant). That weekend, the Mondays played Brighton’s Top Rank (now Oceana). Well on their way to becoming Britain’s biggest band of the era, the original group never played here again, until tonight.

Well, that’s the myth surrounding this Bank Holiday bash, but it’s not quite the truth. A half-hearted version of the band (leader Shaun Ryder, sidekick Bez, drummer Gaz Whelan plus session musicians) played a secret gig on the pier for The Great Escape 2007, and, although the proper line-up are now back together, Whelan’s broken his leg two days before the gig. There’s a stand-in drummer filling his shoes, but when Ryder introduces him he’s clearly forgotten his name.

Anyway, forget splitting hairs, for the couple of thousand punters here, this is the big Mondays show Brighton never had, a baggy celebration of their youth. Some nostalgic DJ support, including the 808 State Soundsystem, sets the mood with dozens of welcome house, bleep and techno classics from the Haçienda heyday. We’ve been seated up in the balcony, but skip that and descend into the rave mass below.

Cheered onto the stage by Bez, the Mondays slide into ‘Loose Fit’ from their peak Madchester album ‘Pills ‘N’ Thrills And Bellyaches’, played almost in its entirety tonight. Ryder’s cheerful, lucid, puffing on an electric cigarette and revelling in the attention. You could never say he’s in good voice, cos he never had one, that’s his mate Rowetta’s role. But he knows his strengths, flattering the crowd (“These are all my mates. I think I met every one of you in the lobby today.”) and his band.

What Ryder understands these days, after so many fall-outs and slag-offs and mixed reunions, is that it’s the unsung members of the Mondays who shaped the group’s unique sound, just as much as his own twisted wordplay did. No one ever quite figured out how those unprepossessing blokes at the back (Ryder’s bassist brother Paul, guitarist Mark Day and keyboardist Paul Davis) created such shifting funk hybrids, but then, maybe no one ever asked. Ryder knows though. “I love Mark,” he tells us, “He plays lead and rhythm at the same time.” He’s right too.

If there’s one disappointment, it’s that Bez hasn’t got the stamina to shake his maracas for a whole gig these days. Absent from most of the night, he only leads the dance through ‘Kinky Afro’ and ‘Step On’. The crowd adore him nonetheless, phones held aloft by the hundred.

With the group as loose and fluid as in their prime (unexpected turns like the mangling of ‘Mad Cyril’ with ‘Sunshine & Love’ keep the set surprising), tonight is a hell of a lot more enjoyable than we expected. Slickness still hasn’t come knocking and Happy Mondays are as peculiar and unpredictable as ever.

Brighton Centre, Sunday 26th May 2013
Words by Stuart Huggett
Photos by Mike Burnell

Jun 4, 2013
Email
Stuart Huggett
Stuart Huggett grew up in Hastings, writing fanzines and blogs about the town’s underground music scene. He has been a regular contributor to SOURCE, NME, The Quietus and Bowlegs. His huge archive of magazines, flyers and vinyl is either an invaluable research tool or a bloody pain. He occasionally runs tinpot record label Dizzy Tiger, DJs sporadically and plays live even less.
← PREVIOUS POST
June 2013 Issue
NEXT POST →
Allister Review
Mailing List

Recent Posts
  • Love Supreme Friday Line Up Announced
    Feb 10, 2026

    With a full Friday programme, expect a superstar DJ, a Grammy winner and the best of new UK talent.

  • The BBC’s First Homosexual Review
    Feb 8, 2026

    The true story of the BBCs first ever documentary about male homosexuality told in a brilliant, powerful and accessible way. Superb, unmissable theatre perfection.

  • Peaches Leads The Charge In The Great Escape Line Up Announcement
    Feb 3, 2026

    Over 100 names have been added to the TGE line up and Team Source is salivating with excitement!

  • Eraserhead Xiu Xiu Review
    Feb 3, 2026

    Like the seminal movie that inspired it, this performance packs a formidable artistic punch.

  • Lewes Psych Fest 2026 Review
    Jan 30, 2026

    The 2026 Lewes Psych Fest was a joyful affair with cracking sets from Minor Dents, Sick Man of Europe, Dactur Terra and Aircooled.

  • Jenny Moore: Wild Mix Review
    Jan 30, 2026

    A post-modern song-cycle exploring the search for human connection via drums, voice and water-filled punching bag.

  • Homegrown 2026
    Jan 26, 2026

    Homegrown will be back on April 11th celebrating all that is good about our lovely music scene in this city by the sea.

  • Brighton Psych Fest Line Up Announcement
    Jan 22, 2026

    Stereolab will be headlining a packed Concorde and a delightful bill at Psych Fest 26

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Happy Mondays Review - Brighton Source