Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Jen Cloher
Reviews

Jen Cloher Review

Jun 24, 2023
-
Posted by Francesca Moore

Jen Cloher was met with a very warm welcome at the Green Door Store. First time back in Brighton since a stripped-back solo guitar performance at Komedia in 2018, this time Cloher was here in force with, in most parts, a newly formed band.

Up first was a strong supporting performance from Hachiku: dreamy electro-pop vibes with strong melodies from bandleader Anika Ostendorf, who is also playing keys for Cloher’s band on their ‘I Am The River, The River Is Me’ UK and Europe album tour.

First on Cloher’s set-list was ‘My Witch’, a sensual number with rocky rhythmic undertones layered with vocals like honey when it opens with “If you wanna be my witch, lay it on me, be the ride you hitch, when you hit that perfect pitch, I wanna be, wanna be that switch”. It’s a taste of what’s to come, with Cloher’s alluring charm drawing in the crowd; a modest yet charismatic performer who draws you in with ease.

There was a fantastic mix of songs from the new and last album. ‘Shoegazers’ and ‘Sensory Memory’ from the self-titled 2017 album came next before jumping back to the new album for crowd pleaser ‘Harakeke’. The lockdown was a period of creativity for many artists, and for Cloher it was a time well spent connecting with their Māori heritage. This song about the flax plant, which has been used by Māori people for the ancient art of weaving for many years, is synonymous with Cloher’s journey of discovery, and the song was sung with the warmth and connectedness of someone who has truly discovered oneself. Lyrically astute, Cloher has not only journeyed back in time along matrilineal lines but has learned a new language that’s been woven into this album so thoughtfully and respectfully, as though it has always been their mother tongue. Taking the time to share the meanings, and the simplicity, of these ancient words and proverbs during the set confirms this album was a real labour of love.

This was symbolised most with the song ‘Mana Takatâpui’. Takatâpui, Cloher said, was the result of a curious Google search for the Māori word for Queer, and is defined as a devoted partner of the same sex. The song is now Cloher’s celebration of the indigenous Polynesian people of mainland New Zealand (Aotearoa), and of the LGBTQ+ community, of which Cloher stands strongly within. The word itself rings perfectly in a chorus with twanging guitars and Cloher’s silky poetic and observant lyrics. It was a real favourite for this Brighton crowd.

There were new band members since their last full set-up, except stalwart drummer Jen Sholakis, but it was revealed that Ostendorf was in Cloher’s ‘bubble’ during lockdown, and so their creativity wasn’t inhibited, but rather inspired. The band had a real synchrony and looked as though they were having a lot of fun together on this swift UK and Europe tour.

Near the end of the set came ‘Strong Woman’, a song written to acknowledge Cloher’s strong matrilineal line, but on this occasion the lyrics were changed to ‘Strong Person’. Cloher said afterwards, whilst greeting the crowd and signing albums, that this was a nod “to be more queer inclusive”. Though this is true, this new version didn’t have the catchiness of its predecessor, or even the lyrical beauty of the Māori language that had been blissfully woven into this set.

Checking they were good for timings, Cloher ended the night with an emphatic and lengthy rendition of Patti Smith’s iconic ‘Land/Horses/Gloria’ medley. Cloher embodied Smith with aplomb – it was a moving tribute that saw everyone shuffling their feet and singing back. It was a perfect ending to the show, which wrapped up the UK leg of the tour.

Listen to Jen Cloher’s ‘I Am The River, The River Is Me’ title track here.

The Green Door Store, Thursday 15th June 2023
Words and photos by Francesca Moore

Jun 24, 2023
Email
Francesca Moore
Francesca Moore’s passion for the performing arts has seen her photographing live stage events for the past ten years; shooting at intimate venues and major stage events for a range of editorial clients, and with the production of limited edition fine art prints. Her personal work stems from interests in people and the environment, where she draws on her scientific background to portray humanitarian, social and environmental issues. She began contributing to the SOURCE after a permanent move from London around the time the magazine was dropped for an online only presence. She’s assured there’s no correlation.
← PREVIOUS POST
The Curst Sons Review
NEXT POST →
Review: Dilsk at Drakes Hotel
Mailing List

Recent Posts
  • Play On short play night returns to The Actors, Tuesday 11th November
    Nov 4, 2025

    If music be the food of love and all that... More short-form theatrical treats from Play On

  • Top Tips For The Mutations Line Up
    Nov 4, 2025

    Mutations 2025 is upon us and Team Source has your back, with these hand picked recommendations of who to see.

  • ABC Lexicon Of Love Orchestra Review
    Nov 4, 2025

    Martyn Fry and Anne Dudley brought ABC's iconic album to life with a dazzling orchestral show.

  • Ghost Stories Review
    Nov 3, 2025

    A wonderful concept of eerie and scary stories of creeping dread from a bygone era, told by incredible actors in a compelling and authentic way.

  • Band Of Holy Joy Review
    Oct 29, 2025

    The New Cross indie legends really delivered with an electrifying performance, ably supported by Brighton's own Asbo Derek.

  • The Talented Mr. Ripley Review
    Oct 28, 2025

    Absolutely stunning in every sense: Ed McVey’s powerhouse performance leads one of the best stage adaptations to grace the stage in a very long time.

  • Jim Jones All Stars Review
    Oct 26, 2025

    Jim Jones brought his new band to Brighton and absolutely tore the place up with a blistering set of raw rock 'n' roll.

  • Inspector Morse: House of Ghosts Review
    Oct 21, 2025

    Expectations are high with a new Inspector Morse story on stage, sadly this is more a ghost of a Morse story, although die hard fans might enjoy it for the nostalgia.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Jen Cloher Review - Brighton Source