Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

Billy Ocean Review

Apr 27, 2017
-
Posted by Steve Clements

As the band started up the star of the show danced his way onto the stage with a cream suit that complemented his tied back dreads. Opening with a bouncy ‘Are You Ready’, his voice sounded surprisingly rich. He sparred with the backing singers (who included his daughter Cherie and former Raw Stylus vocalist Donna Gardier clearly having a ball) on a few lesser known but well-received slower numbers before stopping for a welcome chat that highlighted his religious leanings.
 
‘Nights (Feel Like Getting Down)’ stepped up the pace with the funky drums and slick bass work allowing Billy to show off his dance moves. ‘The Colour Of Love’ was a classic old-school end-of-the-night smoocher complete with sultry sax. As the applause died down someone shouted for more dance songs then, in an instant, the band kicked into Billy’s first major hit, ‘Love Really Hurts Without You’ and the audience were on their feet, singing along.

‘No Woman, No Cry’, from his latest hits and covers album was given a gospel flavour, his body doubling over to squeeze out every last inch of breath to power his delivery. Throughout the show he displayed a cool and calm approach. Nothing flashy, just measured and professional, taking the crowd’s adoration in his stride.
 
With the stage bathed in red everyone got back on their feet for the often-overlooked Northern Soul-flavoured ‘Red Light Spells Danger’, which on the night sounded like a funky mash up of Frankie Valli’s ‘The Night’ and Bowie’s ‘Modern Love’.
 
‘Stay The Night’ was a salsa-fied dancer with percussion breaks and ‘Suddenly’ was stripped back to showcase the vocals. It was full-on party mode for the rest of the show with disco lights and robotics for ‘Loverboy’, “beep beep oh yeahs” for ‘Get Outta My Dreams’ and finally the irresistible pop perfection of ‘When the Going Gets Tough, the Tough Get Going’.
 
The first encore wasn’t expected; a rousing version of The Moody Blues’ ‘A Simple Game’ from the new album that worked really well. Following a long introduction, inviting us to go somewhere warm and sunny with plenty of rum to drink, the night ended with ‘Caribbean Queen’. This was a hit-filled set by a star with a set of pipes still capable of a knockout delivery. We went home happy with a head full of earworms.

Brighton Dome Concert Hall, Monday 24th April 2017
Words by Steve Clements
Photos by Gili Dailes

Apr 27, 2017
Email
Steve Clements
Steve has been a SOURCE contributor since Summer 2010. Favourite quote - "There's no such thing as a sold out gig".
← PREVIOUS POST
Rozelle Review
NEXT POST →
Swingin’ Dick's 78 Social and Shellac Shakers
Mailing List

Recent Posts
  • Its a Woltering Christmas!
    May 22, 2026

    Today is truly Christmas for fans of the the luscious dream pop output of the Wolter family that has made them some of our favourite musicians.

  • You Oughta Be in Pictures Review
    May 21, 2026

    An interesting tale of early American cinema, with a darkness that draws you in; disquieting, disarming and disturbing.

  • Cowpokes in a Bunkhouse Review
    May 21, 2026

    Uniquely Fringe, intelligent writing, fascinating story, and a masterclass in acting and movement work: a brilliant show, one not to miss.

  • Jim Jones All Stars, Friday 16th October
    May 21, 2026

    Get ready to get sweaty as the king of down and dirty rock 'n' roll returns to Brighton this autumn.

  • 1816: The Year Without a Summer Review
    May 19, 2026

    A gripping, riveting and beautifully told imagining of the famous literally greats at Lake Geneva, including Mary Shelley and Lord Byron.

  • The Dance of Time Review
    May 19, 2026

    Two lovely performances from actors at the top of their game, but a script and production that could benefit from more work.

  • Murder Margaret and Me Review
    May 17, 2026

    An interesting premise, giving us the clashes and friendship between Agatha Christie and Margaret Rutherford, plus a go between of the fictional Miss Marple.

  • Allegra Review
    May 15, 2026

    A hopeful and uplifting play with the effervescent Dame Maureen Lipman bringing sparkling charm to a gorgeous character.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Billy Ocean Review - Brighton Source