Type and hit ENTER

Commonly used tags...

Balloon Brighton Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Preview Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Folklore Rooms The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

Nouvelle Vague Review

Mar 8, 2024
-
Posted by Steve Clements

Cover bands. Like them or loathe them they are everywhere, clogging up schedules from the small circuit pubs to large arenas and even their own festivals. However, within this much-maligned group there are exceptions; bands that inventively reinterpret, regender: Ramonas, Slady, Joanne Joanne or in the case of Nouvelle Vague, take the best songs of a genre – punk/new wave, and give them arrangements that originated in 1960s Rio during the bossa nova explosion. Twenty years after their debut album they are back in Brighton to promote their latest release, ‘Should I Stay Or Should I Go?’.

The four band members, including group founder Marc Collin on keys, take the stage in black suits and start with a slow, loungey bossa rhythm. New singer Marine Quémére slinks on in a stylish black dress and delivers ‘Love Will Tear Us Apart’ in a soft, breathy vocal. The band are in individual spotlights, Marine sings in the shadows. The second singer, known only as Alonya, enters to slow, pounding drums and goth guitar chords, which evolve into Depeche Mode’s ‘People Are People’.

Yazoo classic ‘Only You’ gets a Phil Spector-type girl group arrangement with big beat drums and Alonya’s tambourine keeping the 4/4 beat. It’s back to bossa with Jerome Pichon’s acoustic guitar backing both singers who share lines and hold hands while dancing with each other. They both have excellent voices and sit at the front of the stage to serenade the crowd on several occasions.

There are perfectly staged theatrical moments such as the bass sandwich during ‘Girls On Film’s nod to Peggy Lee’s ‘Fever’, which sees Alonya strutting the stage, delivering her vocal with a convincing Eartha Kitt purr. She then plays the title role of ‘(What I Like Most About You Is Your) Girlfriend’, barefoot and brazen, before throwing herself into a singing and dancing frenzy to conjure the spirits during The Cure’s ‘A Forest’.

There’s more ‘gotha nova’ as Marine solos over industrial synths and mellow guitar on ‘Marian’. There’s a gathering around the drumkit for ‘Should I Stay Or Should I Go?’ which is a joyful ska romp where Alonya once again controls the crowd and owns the stage. ‘Just Can’t Get Enough’ is a perfect ball of fun and probably one of their most successful reimaginings. It includes a batacuda solo and chants from the drummer, while the singers go for a costume change, and finishes as a housey dancer.

Alonya is the main focus on ‘You Spin Me Round’, sung in dramatic Shirley Bassey style and both singers drink champagne from plastic pint glasses, which is shared with a few lucky punters during a stripped-back ‘Guns Of Brixton’. ‘Too Drunk To Fuck’ is great fun with the singers playfully acting out the lyrics and throwing themselves around the stage as the band go full punk rock.

For the final number, the band are joined by previous Vague vocalists Melanie Pain and Phoebe Killdeer (seen earlier as Kill The Pain, a dance duo to watch out for) on ‘Friday Night, Saturday Morning’; the lyrics sounding strangely beautiful as lines about chip shops and piss stains are delivered in strong French accents. Phoebe thanks the tour and production crew, then they leave.

They return with ‘Ever Fallen In Love’, another perfect fit for their style and delivered at the same tempo as the original. The intro to ‘This Charming Man’ is halted abruptly as Melanie shouts “wait” as she struggles with her shoes. Once they’re removed she glides between each band member and squeezes in an extra chorus for everyone to sing along to. Marine leads on Modern English’s ‘I Melt With You’ backed by a subdued rhythm section and, as the song builds, is joined by Alonya for a final embrace and dance that is filled with genuine affection for each other. The night ends with Tuxedomoon’s ‘In A Manner Of Speaking’ sung solo by Alonya in classic Nouvelle Vague style, to send us home swooning and swaying.

Yes, the whole concept is a little cheesy mais c’est le fromage Français supérieur rather than processed Dairylea and this gives it an air of sophistication, beauty and je ne sais quoi but we loved it. What a fun night.

Chalk, Thursday 7th March 2024

Mar 8, 2024
Email
Steve Clements
Steve has been a SOURCE contributor since Summer 2010. Favourite quote - "There's no such thing as a sold out gig".
← PREVIOUS POST
Simon Munnery's Jerusalem Review
NEXT POST →
Bette And Joan Review
Mailing List

Recent Posts
  • Frazey Ford, Tuesday 27th October
    Apr 6, 2026

    The soulful folk maverick makes a welcome return to Brighton with a UK exclusive show at The Corn Exchange.

  • Happy Mondays Review
    Apr 5, 2026

    Bez was the star of the show as Happy Mondays ran through their classic third album, with a strong support set from The Farm.

  • Death on the Nile Review
    Apr 1, 2026

    A sleek and stylish adaptation of the Agatha Christie classic, showing us the opulence and beauty of the time, with the classic who, how and why still enthralling audiences.

  • Brighton Psych Fest 2026 expands!
    Mar 28, 2026

    White Denim bring their good time garage rock to what is shaping up to be a cracker of an expanded Psych Fest 2026.

  • Homegrown 2026 Full Line Up Announcement
    Mar 28, 2026

    The Homegrown 2026 line up is proof positive of what a treasure our local scene is.

  • Liberace & Liza – A Tribute, 5th & 6th May
    Mar 23, 2026

    Two iconic superstars join forces to bring a sprinkling of Hollywood glamour to the Fringe this year.

  • The Miserable Rich, Thurs 2nd April
    Mar 19, 2026

    They’re back! After a two year break, The Miserable Rich return to Brighton for a hometown show next month.

  • Balloon
    Balloon Review
    Mar 13, 2026

    A triumphant return for Balloon, showcasing a mesmerizing set of songs plus a charming support slot from Tim Keegan

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Nouvelle Vague Review - Brighton Source