Type and hit ENTER

Commonly used tags...

Balloon Brighton Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Preview Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Folklore Rooms The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

Brighton Fringe Review: Louise Reay

May 8, 2018
-
Posted by Ben Bailey

“You might think this is a shit show,” says comedian Louise Reay, during a rambling link between skits. “But my life is a shit show, and you get to leave after an hour.” It’s a good gag, but there’s also a sense she’s anticipating flak for going off-piste.

The Brighton-based comic recently returned from doing 35 dates in Australia, where she picked up an award as Best Emerging Artist last year. Now she’s back with a show called Eraserhead, playing a hometown gig filled with friends and family. The local support ensures a whooping reaction for her scatty banter and physical comedy routines.

However, what’s billed as a show about “censorship and oppression in modern Britain” turns out about to be a series of amusing but unrelated segments with slides of local park benches, videos of her mother (who is also in the audience) and a story about being stalked by an apparition of her imaginary unborn child.

The show begins with a goofy Talking Heads dance sequence and includes a prolonged childbirth fantasy sequence narrated in Chinese. Reay is a likeable performer with well-pitched personas – sometimes flitting from shrill attention-seeker to preening diva in the same sentence – but it’s just not clear why any of this is happening.

At the very end she explains that her original show had to be pulled for legal reasons. It turns out Reay is being sued by her ex-husband and can’t even really say much about it. We later learn that her case is in danger of setting a worrying precedent in allowing comedians to be silenced through litigation. In the wake of Count Dankula’s Nazi pug, this is a timely and important issue that would make a fascinating comedy show in its own right. Unfortunately, this isn’t it.

On the way out we overhear some disgruntled punters claiming the event should have been free since it didn’t deliver what it promised. It sounds like Louise has had a bad year embroiled in legal hell, but if those punters had their way Trading Standards would be after her for false advertising as well.

Komedia, Sunday 6th May 2018
Returns on Sunday 20th May

Brighton Fringe
May 8, 2018
Email
Ben Bailey
Ben Bailey is the editor of Brighton Source and a freelance writer. He also plays in a few bands and can sometimes be found giving talks on a variety of niche topics. He lives in Brighton and rather likes it.
← PREVIOUS POST
Brighton Fringe Review: Barry Loves You
NEXT POST →
The Limiñanas review
Mailing List

Recent Posts
  • The Miserable Rich, Thurs 2nd April
    Mar 19, 2026

    They’re back! After a two year break, The Miserable Rich return to Brighton for a hometown show next month.

  • Balloon
    Balloon Review
    Mar 13, 2026

    A triumphant return for Balloon, showcasing a mesmerizing set of songs plus a charming support slot from Tim Keegan

  • Double Indemnity Review
    Mar 11, 2026

    The quintessential noir thriller adapted for the stage: a visual feast that promises much but doesn’t deliver up to its potential.

  • Alice Cooper’s ‘Devil on my Shoulder’ Book Tour Comes To Brighton
    Mar 10, 2026

    Alice Cooper, the King of Shock Rock, is coming to Brighton to spill the beans on his extraordinary life.

  • Alison Moyet, Saturday 10th October
    Mar 10, 2026

    Alison Moyet’s 2026 tour will consist exclusively of songs from the Yazoo catalogue plus tracks from her solo electronica albums ‘the minutes’ and ‘Other’.

  • Jane Eyre Review
    Mar 9, 2026

    A first class adaptation of Jane Eyre in the unmistakable styling of This Is My Theatre, superb up close acting: a must see.

  • Angine de Poitrine Descend From Above To Visit Us At The Great Escape
    Mar 5, 2026

    It really is a simple black and white answer: you want to see Angine de Poitrine play The Great Escape.

  • Love Supreme Festival – Sunday Headliner Revealed
    Mar 5, 2026

    25 more names have been added to this year's festival from across the musical spectrum.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Brighton Fringe Review: Louise Reay - Brighton Source