Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

Every Time I Die Review

Nov 13, 2012
-
Posted by Joel Carr

Every Time I Die’s latest triumphant release, ‘Ex-Lives’, represents the completion of a gradual metamorphosis, where gritty, grueling slabs of imagery and riffery have consumed the lighter, party-core vibes brandished on 2005’s ‘Gutter Phenomenon’. But considering the rather more challenging material displayed on their most recent effort, there was no doubt whatsoever that tonight’s venue of choice, The Haunt, would be teeming with excited youth by the start of the Buffalo-based quintet’s set.

We’ll get straight to the point – these guys put on a show like nothing else, and The Haunt was always going to be the perfect stage for it. Key ingredients that went on to make this show so darn glorious include heavy doses of gleeful stage-diving; one mid-set wedding proposal; one omnipresent crowd-surfing ghost; many crumpled beer cans; one stage-invasion; no encore and an all-pleasing greatest-hits-style set-list which nodded as much to 2003’s fan-favourite ‘Hot Damn!’ as to this year’s material.

Right from the go, inspiringly-hairy and cool-as-pie mic man Keith Buckley has the swaying crowd in the palm of his hand. Hardcore-punk bruiser ‘Kill The Music’ and the rather groovy southern-rock-tinged ‘I Been Gone A Long Time’ open the show, with Keith’s trademark irony-drenched one-liners drawing the feverish Buckley-ites as close to the mic as he allows them, and it’s not long before new songs emerge. The delightfully named ‘Underwater Bimbos From Outer Space’ – which might just be the heaviest song this band have ever written – causes its fair share of chaos, as does fellow ‘Ex-Lives’ tracks ‘Typical Miracle’ and ‘I Suck (Blood)’.

While these are fantastically executed, and received, it’s when the band start digging into more established classics such as ‘No Son of Mine’, ‘Bored Stiff’, and the oh-so-great ‘Wanderlust’ that the show reaches its greatest intensity. In a live setting, the immediacy of the guitar hooks and potency of the vocal lines in these songs just can’t be beaten.

Hands down the most enjoyable gig of the year – an accolade this band won’t be unfamiliar with.

Haunt, Saturday 27th October 2012
Words by Joel Carr
Photos by Dan Griffiths

Nov 13, 2012
Email
← PREVIOUS POST
Alt-J Review
NEXT POST →
Gaggle, Thurs 29th Nov
Mailing List

Recent Posts
  • Cubzoa with My Precious Bunny at Alphabet Review
    Dec 21, 2025

    The Wolter siblings provide us a with a glorious dream pop end to the live music year at Alphabet.

  • European Sun & Railcard, Sunday 8th February 2026
    Dec 18, 2025

    Two indie super groups come to The Albert for an afternoon of beautifully crafted new music.

  • Sunny Afternoon Review
    Dec 18, 2025

    A high-octane musical biopic of "the band that changed rock music forever” captures the sound and swagger of the 60s.

  • Madness & Squeeze Review
    Dec 17, 2025

    This double bill, comprising two of London’s greatest hitmaking bands, provided a party atmosphere and so, so many classic songs.

  • Pickwick and Weller Review
    Dec 13, 2025

    A charming Dickensian musical, a tale full of larger than life characters, from good to bad; from streetwise to naive: a warming tale for this time of year.

  • Justice and the Emperor
    The Gift Review
    Dec 5, 2025

    The Gift is a celebration of life, love and laughter designed to warm hearts on a cold winter's night.

  • Here And Now Review
    Dec 3, 2025

    A fun, vibrant and poppy feel good show filled with life drama set to the songs of Steps, with a powerhouse lead and hilarious dance routines.

  • Mutations Festival 2025 Review
    Dec 1, 2025

    Makeshift Art Bar and Benefits deliver two of the gigs of the year, with DITZ as local champions, in a cracking weekend of music.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Every Time I Die Review - Brighton Source