Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

Joanna Newsom Review

Nov 3, 2015
-
Posted by Steve Clements

Joanna Newsom doesn’t have fans, she has worshippers. Such was their reverential devotion that beside cheering her entrance and rapturously applauding each song there was such a respectful hush throughout the performance that the sound was crystal clear.

Joined by brother Peter (drums and keys), Mirabai Peart (strings) and Ryan Francesconi (guitar and everything else), Newsom began day two of her ‘Divers’ tour on harp with ‘Bridges And Balloons’ from her debut album, on which her voice seemed deeper and huskier than expected.

Switching between piano and harp, her childlike voice soon appeared and remained. The high pitched vocals often rendered the lyrics mere sounds and squeeks but with music this captivating I found myself lost in a trance, totally consumed by this strange, almost medieval sound.

Happily jumping from fragile beauty to challenging discord, it was clear that this most special of performers was giving us something special; amazing considering she hasn’t played live for three years, and never before with her brother. What’s more, the new songs have been exquisitely re-arranged for the tour by Francesconi.

With her long blonde hair and dressed in a designer blue and white frock, she resembled Alice in Wonderland which perfectly suited the magical mischief that ran through each song. The set saw all four albums represented, but her current (and best?) made up the bulk – including the title track which conjured up a seascape of longing with thumb piano adding to the ambience. Electric piano and mandolin combined to mimic a harpsichord in a funky baroque salute to “the naked hussies”, followed by a switch to harp and banjo for a soft, lilting ‘Go Long’ that belied the anger of the lyrical content.

Obviously the harp was pivotal to the performance, but the piano was chosen for the closing number ‘Time, As A Symptom’. Newsom’s soloing was strong enough to make the band redundant until the strings and backing vocals added more texture and the drums came in to complete this mini-orchestral masterpiece that received a fully-deserved standing ovation.

Joanna Newsom, Brighton Dome Concert Hall, Sunday 1st November 2015
Words by Steve Clements
Photos by Francesca Moore

Nov 3, 2015
Email
Steve Clements
Steve has been a SOURCE contributor since Summer 2010. Favourite quote - "There's no such thing as a sold out gig".
← PREVIOUS POST
Kate Wildblood, Unsung Hero No.52
NEXT POST →
Benjamin Clementine, Thurs 3rd December
Mailing List

Recent Posts
  • When The Tide Comes In Review
    May 11, 2026

    A gripping and intense coming of age drama, beautifully told; asking us to face assumptions we all make about others, and reflect on privilege.

  • Ghost Light Review
    May 10, 2026

    An interesting if rather gruesome Victorian ghost story with style and atmosphere, and a story with potential for development.

  • On The Beach Festival’s Positive Impact On The City
    May 8, 2026

    Now entering its sixth year, the festival has become a defining part of Brighton’s summer calendar.

  • The Elephant in the Room Review
    May 6, 2026

    A stunning piece of theatre and true story of Joseph Merrick, known as the Elephant Man, with incredible voices and sublime pictures created on stage.

  • The Age Of Consent Review
    May 6, 2026

    Day two of Brighton Festival saw a joyous celebration of Bronski Beat's classic debut album by a host of contemporary queer and trans artists.

  • Lovett Review
    May 5, 2026

    A truly stunning origin story of Mrs Lovett before Sweeney Todd, performed with grounded authenticity and superb, detailed and intriguing acting.

  • Kohlhaas Review
    May 5, 2026

    A gripping whirlwind of an evening as Arinzé Kene opens Brighton Festival with this frenetic world-premiere.

  • The Final Episode Review
    May 1, 2026

    An intriguing and very short one-woman play about a worrying conspiracy theory, exploring how easily something innocent can turn nasty.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Joanna Newsom Review - Brighton Source