Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

Spectres Review

Mar 9, 2015
-
Posted by Gary Rose

“We killed guitars,” boast Spectres on their Twitter bio. We’re not exactly sure what this means, but death, it transpires, is to be a dominant theme at Sticky Mike’s Frog Bar tonight. Four Spectres haunt the stage; four beards dimly illuminated in red and purple; two Fender Jaguars; one singer with a two-note vocal range.

The Bristol indie-noise rockers are here touring their debut LP, ‘Dying’, which came out last month on the Sonic Cathedral label. It’s an intense record, containing nothing that could realistically pass itself off as a tune. But while you might not be whistling it in Sainsbury’s, sonically it’s right on the money. Think Sonic Youth, early Mary Chain, even Swervedriver… then go several shades darker.

They open with ‘When Flies Sleep’, track two from the album; the one you might have heard on BBC 6 Music. After that we’re lost; everything merges into a wall of slamming feedback and juddering delay. A few people float away from the stage. Not because it’s loud (the volume is surprisingly restrained); more likely because this is not the kind of music they were expecting. Fair enough. Not everyone appreciates abstract noise (but hey, that in itself is part of the appeal of abstract noise).

Midway through the set you begin to suspect Spectres are not the finished article. But this is not necessarily a bad thing. Their sound will have no choice but to evolve, because (excellent though it is) they won’t get away with making another LP like ‘Dying’ without imploding like a moribund star. They’ll need to introduce more light and shade… dare we say, more “variety”. But that’ll come in time. For now, it’s great to hear a band with no desire to compromise; with no interest in crowd-pleasing or disingenuous charisma.

Towards the end, it finally starts to get loud and things spark into life. It’s the best bit. As they exit the stage, a scrap of paper is left behind. Scribbled on it is a setlist, featuring the guitar tunings for each track. The fact that the guitars were tuned to specific musical notes raises an affectionate chuckle. We assumed they were just thumping the strings and letting the pedals take care of the rest.

“I want that last track played at my funeral,” says a guy near us as we stagger out into Middle Street, safe in the knowledge that everything will be back to normal tomorrow. Yes, we’ll be able to drink tea and watch breakfast television and it’ll all be fine. Our demons have been exorcised. Nobody died. Everything is going to be fine.

Sticky Mike’s Frog Bar, Thursday 5th March 2015
Words by Gary Rose
Photos by Xavier Clarke

Mar 9, 2015
Email
Gary Rose
A magazine journalist and former BBC minion, Gaz's words can be found in publications ranging from The Radio Times Guide To Films to 1001 Songs You Must Hear Before You Die, as well as on his blog The Wine Ninjas . He plays drums in a psych band, and once fell into a frozen lake in Transylvania.
← PREVIOUS POST
Kristin McClement Interview
NEXT POST →
The Decemberists Review
Mailing List

Recent Posts
  • The Elephant in the Room Review
    May 6, 2026

    A stunning piece of theatre and true story of Joseph Merrick, known as the Elephant Man, with incredible voices and sublime pictures created on stage.

  • The Age Of Consent Review
    May 6, 2026

    Day two of Brighton Festival saw a joyous celebration of Bronski Beat's classic debut album by a host of contemporary queer and trans artists.

  • Lovett Review
    May 5, 2026

    A truly stunning origin story of Mrs Lovett before Sweeney Todd, performed with grounded authenticity and superb, detailed and intriguing acting.

  • Kohlhaas Review
    May 5, 2026

    A gripping whirlwind of an evening as Arinzé Kene opens Brighton Festival with this frenetic world-premiere.

  • The Final Episode Review
    May 1, 2026

    An intriguing very short one woman play about a worrying conspiracy theory, exploring the consequences of actions and how easy something innocent can turn nasty.

  • The Damned, Wednesday 25th November
    Apr 30, 2026

    The Damned and, fellow punk trailblazers, The Saints celebrate 50 years of punk at The Dome this November.

  • Thee Sacred Souls, Weds 15th July
    Apr 30, 2026

    San Diego's Thee Sacred Souls bring their contemporary take on classic Chicano California Soul to Brighton this summer.

  • The Charlatans Review
    Apr 28, 2026

    The Charlatans wowed a sold out Dome crowd with superb Scottish sibling newcomers The Cords kicking things off in style.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Spectres Review - Brighton Source