Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

Brighton Festival Review: Brownton Abbey

May 26, 2018
-
Posted by Steve Clements

The people who put on Mykki Blanco at last year’s festival stepped it up this year by turning the main hall of Brighton Dome into a New Orleans ‘Bounce’ club.

Guests were warmly welcomed by glamorous greeters and there was a feeling of love for everyone all through this all-inclusive event. The night was spilt between DJ sets from Jumeau and Sista Selecta and live performers. First up after DJ Jumeau dropped some filthy tracks, including the fantastic ‘My Neck, My Back’ by Khia, was Malik Nashad Sharpe who entered the dancefloor carrying a bunch of lighted joss sticks and proceeded to sashay around the room like an Olympic torch carrier before working the room with a gymnastic dance display that ended with her stripped down to her pink shorts and a vest. This was a great start.

For those seeking a more holistic experience there was a ‘Womb Room’ set up, away from the clubbers, in a small space downstairs. We had to register for a slot and with nine others spent half an hour with Ria Hartley who led us through breathing exercises to match each of the seven chakras, based on the West African Yoruba religion. The session ended with a lie-down while listening to soft chants with the end result feeling like a cross between a sauna and a massage but where you only have to take your shoes off.

Back upstairs we just caught the end of Rachael Young’s performance which, judging by the crowd’s reaction as she shook off her wig and exited, went down a treat. After Sista Selecta’s first set, it looked like Grace Jones was about to come on stage as a figure, covered head-to-toe in a gold lame robe appeared. Casting the robe off, Lasana Shabazz absolutely blew us away with a short, sharp shock of a set that left us speechless. Dressed in leathers and feathers, Shabazz twisted and turned fast and furiously, throwing shapes to a heavily percussive soundtrack. It was nothing short of breathtaking and we all screamed for more, but unfortunately there was no return. With the music varying from Joy Division dance covers to African dub to Nitty Scott’s ‘La Diaspora’ the Bounce fans were building up their booty dance moves in what had now turned into a sort of Mardi Gras G.A.Y.

Big Freedia, the Queen of Bounce, took to the stage in long wig, a white t shirt and camouflage shorts and launched into ‘N.O. Bounce’ proclaiming ” I’m that queen that’ll make you bounce” and released the wiggle upon us. With dirty beats and dirtier language she garnered screams form the hyped-up crowd. New Orleans was in the house. Her lead dancer was a sight to behold with what must be the fastest buttocks in show business and a six-pack to die for. A select few were invited onto the stage for a dance off as Freedia bellowed in a deep, gravelly voice “show yo’ ass, I don’t want to see no faces” before choreographing them into a human twerkipede. The dancers despatched from the stage, she continued with blistering versions of ‘Rent‘ and ‘Peanut Butter‘ which ended with a shout out to RuPaul. The set finished with Freedia heading in to the crowd for a mutual love-fest singalong of ‘I Will Always Love You’.

The wonderful people that organised this beautiful evening have their work cut out to top this at next year’s festival. We can’t wait to see what they come up with.

Brighton Dome Concert Hall, Friday 25th May 2018

Photos courtesy of Victor Frankowski

Brighton Festival
May 26, 2018
Email
Steve Clements
Steve has been a SOURCE contributor since Summer 2010. Favourite quote - "There's no such thing as a sold out gig".
← PREVIOUS POST
The Great Escape 2018 Review (Fri)
NEXT POST →
Brighton Fringe Review: De Fuut
Mailing List

Recent Posts
  • The Spy Who Came In From The Cold
    Jun 3, 2026

    A surprising spy story entwined with less convincing love story adapted from the master spy thriller writer, with some superb acting.

  • Beyond Boundaries Festival, Saturday 26th September
    Jun 2, 2026

    The final names have been announced for this late summer dance music festival at Stanmer Park.

  • Operation Mincemeat Review
    May 27, 2026

    The best-reviewed show in West End history visits Theatre Royal Brighton - a hilarious homage to one of WWII's best kept secrets!

  • Its a Woltering Christmas!
    May 22, 2026

    Today is truly Christmas for fans of the the luscious dream pop output of the Wolter family that has made them some of our favourite musicians.

  • You Oughta Be in Pictures Review
    May 21, 2026

    An interesting tale of early American cinema, with a darkness that draws you in; disquieting, disarming and disturbing.

  • Cowpokes in a Bunkhouse Review
    May 21, 2026

    Uniquely Fringe, intelligent writing, fascinating story, and a masterclass in acting and movement work: a brilliant show, one not to miss.

  • Jim Jones All Stars, Friday 16th October
    May 21, 2026

    Get ready to get sweaty as the king of down and dirty rock 'n' roll returns to Brighton this autumn.

  • 1816: The Year Without a Summer Review
    May 19, 2026

    A gripping, riveting and beautifully told imagining of the famous literally greats at Lake Geneva, including Mary Shelley and Lord Byron.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Brighton Festival Review: Brownton Abbey - Brighton Source