Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Features

SOURCE Writers’ Chart

Nov 29, 2010
-
Posted by SOURCE Writers

1. MIRRORS ‘Ways To An End’Mirrors’
First single for Skint was an infectious counting song, coming across like Kraftwerk covering ‘Senses Working Overtime’. Each unexpected Brighton appearance brought further refinements to their glossy electro pop, and they finished the year supporting, then remixing, synth pioneers OMD. We really, really want their album to come soon. (SH)

2. GLORIA CYCLES ‘If I Wanted To Tell You’
The last song ever played by this sadly missed indie pop band, the emotional performance was precursored with a shout of “Don’t cry!” from a wag in the audience. But this soaring ballad doesn’t need context to draw a tear – the layered, round robin vocals do that on their own. (JK)

3. THE AGITATOR ‘Give Me All That You Got’
After kicking arses and melting eardrums around our fair city and across the country for the whole of 2010, this rebel yell finally showed everyone else what we’ve known for some time. That The Agitator are two drummers, one berserk mouth, and a politically rousing train whose churning, whoopin’, hollerin’ anarcho-pop must surely be the soundtrack to this recession of discontent. (MB)

4. :KINEMA: ‘My Beautiful Machines (Drop Out Orchestra Remix)’
As much as we love :Kinema: and their r’n’b soft synth disco-pop, the two Drop Out Orchestra remixes (which are in fact live cover versions plus samples and studio trickery, and clock in at a combined total of well over 20 minutes) are such a mind-blowathon that we had to plump for them. Don’t agree? May we refer you to Mr Greg Wilson who regularly has them in his set. (MB)

5. THE MISERABLE RICH ‘Let Me Fade’
It’s been knocking around for years but for most made its mark accompanied by Ruth Georgina Barrett’s excellent Oliver Postgate-meets-Brian De Palma video animation. It features the usual sumptuous strings and perfectly arranged backing for James’ beautifully reflective vocal but something just lifts this to a higher level. Sublime. (SC)

6. MUMDANCE ‘Don’t Forget Me Now’
We can’t think of a single other artist who makes both grime and pop tunes that we’d want to listen to. This collaboration with Esser takes indie electro and slams it into world music. It’s the sort of thing that Basement Jaxx take into the top 10 – don’t underestimate this guy, he could do the same. (JK)

7. GRINDERMAN ‘Heathen Child’
We confess that we weren’t blown away with this on first listen – in fact it was the wacky/disturbing video that got column inches from most magazines – but the distorto-blues punk soon drew us into its squalling, swirling apocalypse. Could teach most whippersnappers about how to make a racket. (JK)

8. BURNS ‘YSLM’
It’s been a great year for Burns, SOURCE cover aside. He’s up for a DJmag award (see News), produced Kelis, and worked with the legendary Fred Falke on this cast-iron NYE disco cut-up smash. Classic dance label DeConstruction liked it enough to release it. (JK)

9. SPARROW ‘All Of The Things You Were Hoping For’
Mining the styles of pop, rock and folk, Sparrow aren’t afraid to play up to all three. As much as the guitars dare the vocal harmonies to get in their way, there’s the balance of delicate balladry that this song simply redefines. (NC)

10. CROOKED MOUNTAIN, CROOKED SEA ‘One Hundred Yards Into The Desert’
As loud as it is sharp, conjuring up the likes of Fugazi for their angry reverberations; complicated rhythms are etched into their tracks. (LS)

11. LYREBIRDS ‘Now I Know Why’
12. COLD PUMAS ‘Jela’
13. BLOOD RED SHOES ‘Heartsink’
14. FOXES! ‘Who Killed Rob?’
15. ESBEN & THE WITCH ‘Marching Song’
16. ILLNESS ‘Old Song’
17. THE STARS DOWN TO EARTH ‘The Futurist’
18. THE EIGHTIES MATCHBOX B-LINE DISASTER ‘Mission From God’
19. HIND EAR ‘Coconut’
20. YAAKS ‘HRHRHYTHM’

WORDS BY MATT BARKER, STEVE CLEMENTS, NICK COQUET, STUART HUGGETT,JAMES KENDALL, LYDIA STOCKBRIDGE

Nov 29, 2010
Email
SOURCE Writers
Sometimes an article is a bit of a team effort, and those are tagged SOURCE Writers. If you’d like to be part of that team, hit the Contact link at the top and get your work on this website.
← PREVIOUS POST
Preview: Sea Monsters
NEXT POST →
Critic: December 2010
Mailing List

Recent Posts
  • Allegra Review
    May 15, 2026

    A hopeful and uplifting play with the effervescent Dame Maureen Lipman bringing sparkling charm to a gorgeous character.

  • Wench Review
    May 12, 2026

    A full, funny and poignant full musical, with rich and bold writing, told in cabaret style, of the life of accused witch Martha Tallow.

  • When The Tide Comes In Review
    May 11, 2026

    A gripping and intense coming of age drama, beautifully told; asking us to face assumptions we all make about others, and reflect on privilege.

  • Ghost Light Review
    May 10, 2026

    An interesting if rather gruesome Victorian ghost story with style and atmosphere, and a story with potential for development.

  • On The Beach Festival’s Positive Impact On The City
    May 8, 2026

    Now entering its sixth year, the festival has become a defining part of Brighton’s summer calendar.

  • The Elephant in the Room Review
    May 6, 2026

    A stunning piece of theatre and true story of Joseph Merrick, known as the Elephant Man, with incredible voices and sublime pictures created on stage.

  • The Age Of Consent Review
    May 6, 2026

    Day two of Brighton Festival saw a joyous celebration of Bronski Beat's classic debut album by a host of contemporary queer and trans artists.

  • Lovett Review
    May 5, 2026

    A truly stunning origin story of Mrs Lovett before Sweeney Todd, performed with grounded authenticity and superb, detailed and intriguing acting.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
SOURCE Writers' Chart - Brighton Source