Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

Every Time I Die Review

Nov 13, 2012
-
Posted by Joel Carr

Every Time I Die’s latest triumphant release, ‘Ex-Lives’, represents the completion of a gradual metamorphosis, where gritty, grueling slabs of imagery and riffery have consumed the lighter, party-core vibes brandished on 2005’s ‘Gutter Phenomenon’. But considering the rather more challenging material displayed on their most recent effort, there was no doubt whatsoever that tonight’s venue of choice, The Haunt, would be teeming with excited youth by the start of the Buffalo-based quintet’s set.

We’ll get straight to the point – these guys put on a show like nothing else, and The Haunt was always going to be the perfect stage for it. Key ingredients that went on to make this show so darn glorious include heavy doses of gleeful stage-diving; one mid-set wedding proposal; one omnipresent crowd-surfing ghost; many crumpled beer cans; one stage-invasion; no encore and an all-pleasing greatest-hits-style set-list which nodded as much to 2003’s fan-favourite ‘Hot Damn!’ as to this year’s material.

Right from the go, inspiringly-hairy and cool-as-pie mic man Keith Buckley has the swaying crowd in the palm of his hand. Hardcore-punk bruiser ‘Kill The Music’ and the rather groovy southern-rock-tinged ‘I Been Gone A Long Time’ open the show, with Keith’s trademark irony-drenched one-liners drawing the feverish Buckley-ites as close to the mic as he allows them, and it’s not long before new songs emerge. The delightfully named ‘Underwater Bimbos From Outer Space’ – which might just be the heaviest song this band have ever written – causes its fair share of chaos, as does fellow ‘Ex-Lives’ tracks ‘Typical Miracle’ and ‘I Suck (Blood)’.

While these are fantastically executed, and received, it’s when the band start digging into more established classics such as ‘No Son of Mine’, ‘Bored Stiff’, and the oh-so-great ‘Wanderlust’ that the show reaches its greatest intensity. In a live setting, the immediacy of the guitar hooks and potency of the vocal lines in these songs just can’t be beaten.

Hands down the most enjoyable gig of the year – an accolade this band won’t be unfamiliar with.

Haunt, Saturday 27th October 2012
Words by Joel Carr
Photos by Dan Griffiths

Nov 13, 2012
Email
← PREVIOUS POST
Alt-J Review
NEXT POST →
Gaggle, Thurs 29th Nov
Mailing List

Recent Posts
  • Murder Margaret and Me Review
    May 17, 2026

    An interesting premise, giving us the clashes and friendship between Agatha Christie and Margaret Rutherford, plus a go between of the fictional Miss Marple.

  • Allegra Review
    May 15, 2026

    A hopeful and uplifting play with the effervescent Dame Maureen Lipman bringing sparkling charm to a gorgeous character.

  • Wench Review
    May 12, 2026

    A full, funny and poignant full musical, with rich and bold writing, told in cabaret style, of the life of accused witch Martha Tallow.

  • When The Tide Comes In Review
    May 11, 2026

    A gripping and intense coming of age drama, beautifully told; asking us to face assumptions we all make about others, and reflect on privilege.

  • Ghost Light Review
    May 10, 2026

    An interesting if rather gruesome Victorian ghost story with style and atmosphere, and a story with potential for development.

  • On The Beach Festival’s Positive Impact On The City
    May 8, 2026

    Now entering its sixth year, the festival has become a defining part of Brighton’s summer calendar.

  • The Elephant in the Room Review
    May 6, 2026

    A stunning piece of theatre and true story of Joseph Merrick, known as the Elephant Man, with incredible voices and sublime pictures created on stage.

  • The Age Of Consent Review
    May 6, 2026

    Day two of Brighton Festival saw a joyous celebration of Bronski Beat's classic debut album by a host of contemporary queer and trans artists.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Every Time I Die Review - Brighton Source