Type and hit ENTER

Commonly used tags...

2026 Anna Calvi Ash Badly Drawn Boy Big Boutique Brighton Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Editors Eliza Skelton FatBoy Slim Lewes Psychedelic Festival Lime Garden Locally Sourced Lost & Found Love Supreme Festival Maccabees Melting Vinyl Miles Kane Mutations Festival Nick Cave On The Beach Passenger Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Sairie Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Thursday Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

Happy Mondays Review

Jun 4, 2013
-
Posted by Stuart Huggett

Thursday 23rd November, 1989, and The Stone Roses and Happy Mondays both make their debut appearance on Top Of The Pops, bringing the twin engines of the breaking Manchester scene into the nation’s living rooms (808 State were on the week before – brilliant). That weekend, the Mondays played Brighton’s Top Rank (now Oceana). Well on their way to becoming Britain’s biggest band of the era, the original group never played here again, until tonight.

Well, that’s the myth surrounding this Bank Holiday bash, but it’s not quite the truth. A half-hearted version of the band (leader Shaun Ryder, sidekick Bez, drummer Gaz Whelan plus session musicians) played a secret gig on the pier for The Great Escape 2007, and, although the proper line-up are now back together, Whelan’s broken his leg two days before the gig. There’s a stand-in drummer filling his shoes, but when Ryder introduces him he’s clearly forgotten his name.

Anyway, forget splitting hairs, for the couple of thousand punters here, this is the big Mondays show Brighton never had, a baggy celebration of their youth. Some nostalgic DJ support, including the 808 State Soundsystem, sets the mood with dozens of welcome house, bleep and techno classics from the Haçienda heyday. We’ve been seated up in the balcony, but skip that and descend into the rave mass below.

Cheered onto the stage by Bez, the Mondays slide into ‘Loose Fit’ from their peak Madchester album ‘Pills ‘N’ Thrills And Bellyaches’, played almost in its entirety tonight. Ryder’s cheerful, lucid, puffing on an electric cigarette and revelling in the attention. You could never say he’s in good voice, cos he never had one, that’s his mate Rowetta’s role. But he knows his strengths, flattering the crowd (“These are all my mates. I think I met every one of you in the lobby today.”) and his band.

What Ryder understands these days, after so many fall-outs and slag-offs and mixed reunions, is that it’s the unsung members of the Mondays who shaped the group’s unique sound, just as much as his own twisted wordplay did. No one ever quite figured out how those unprepossessing blokes at the back (Ryder’s bassist brother Paul, guitarist Mark Day and keyboardist Paul Davis) created such shifting funk hybrids, but then, maybe no one ever asked. Ryder knows though. “I love Mark,” he tells us, “He plays lead and rhythm at the same time.” He’s right too.

If there’s one disappointment, it’s that Bez hasn’t got the stamina to shake his maracas for a whole gig these days. Absent from most of the night, he only leads the dance through ‘Kinky Afro’ and ‘Step On’. The crowd adore him nonetheless, phones held aloft by the hundred.

With the group as loose and fluid as in their prime (unexpected turns like the mangling of ‘Mad Cyril’ with ‘Sunshine & Love’ keep the set surprising), tonight is a hell of a lot more enjoyable than we expected. Slickness still hasn’t come knocking and Happy Mondays are as peculiar and unpredictable as ever.

Brighton Centre, Sunday 26th May 2013
Words by Stuart Huggett
Photos by Mike Burnell

Jun 4, 2013
Email
Stuart Huggett
Stuart Huggett grew up in Hastings, writing fanzines and blogs about the town’s underground music scene. He has been a regular contributor to SOURCE, NME, The Quietus and Bowlegs. His huge archive of magazines, flyers and vinyl is either an invaluable research tool or a bloody pain. He occasionally runs tinpot record label Dizzy Tiger, DJs sporadically and plays live even less.
← PREVIOUS POST
June 2013 Issue
NEXT POST →
Allister Review
Mailing List

Recent Posts
  • Charlie Keen's Silver Birch
    Port of Cool, Review
    Jul 26, 2026

    A brilliantly bonkers afternoon of sunshine, good beer and inescapably cool shit in the Sussex sunshine at the first chapter of the Newhaven festival.

  • The Maccabees On The Beach Review
    Jul 26, 2026

    The Maccabees returned to Brighton for a massive rock festival On The Beach this Saturday. Words and Pictures here from Brighton Source.

  • Madness On The Beach Review
    Jul 25, 2026

    The Nutty Boys delivered a set of pop ska classics with superb support from old mates The Blockheads and The Selecter.

  • Three people smiling together
    Brighton Bash Carnival, Saturday 25 July
    Jul 20, 2026

    "This is an invitation to the whole city to come together, connect and move forward as one." - BARCO

  • Mike D 5D and Fat Dog Headline Mutations Festival!
    Jul 20, 2026

    Mike D 5D and Fat Dog are going to be rocking the sure shot for sure at this year's Mutations Festival.

  • Appropriate Review
    Jul 18, 2026

    A stunning piece of theatre from start to finish, with some uncomfortable and challenging themes but also laugh out loud moments. Unmissable.

  • PORT OF COOL FLYER
    Port of Cool, Saturday 25 July
    Jul 18, 2026

    Welcome to The Port Of Cool, Newhaven's new left-field festival worth discovering. Is this Sussex's next 'hidden gem'?

  • Fatboy Slim On The Beach, Thursday 16th July
    Jul 17, 2026

    Fatboy Slim was back on the beach for Big Boutique #7 and Brighton Source was there to dance (and take pictures of course).

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Happy Mondays Review - Brighton Source