Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

Joanna Gruesome Review

Mar 23, 2016
-
Posted by Stuart Huggett

Last year started well for Cardiff noisepop group Joanna Gruesome: debut album ‘Weird Sister’ had just won the Welsh Music Prize, its follow up ‘Peanut Butter’ was gathering wide acclaim and the band were picking up attention on both sides of the Atlantic thanks to a touring alliance with the USA’s heavily tipped hardcore newcomers Perfect Pussy.

Then, on the eve of ‘Peanut Butter’’s US release, frontwoman Alanna McArdle quit, citing the need to focus on her mental health. Joanna Gruesome are finishing their current mini-tour at the Hope And Ruin tonight having split her vacant role between two replacements, fellow travellers from within the UK DIY scene. To the left, doubling up on third guitar, Roxy Brennan (of Two White Cranes and Grubs), and in the centre, with a keyboard, Kate Stonestreet (from Pennycress).

As the now six-piece band crash headlong into a non-stop opening trio of ‘I Don’t Wanna Relax’ (a fair title), ‘Madison’ and ‘Psykick Espionage’, the division of labour is clear. Brennan handles the melodic, sung lines, Stonestreet the more aggressive, screamed ones, a Good Cop/Bad Cop split that McArdle used to pretty much front out alone, with shy guitarist and songwriting mastermind Owen Williams adding soft vocal support.

It’s a balancing act carried into tonight’s sole new song, a direct hit of chugging guitar chords that finds Brennan singing about boredom and the radio (we think) and Stonestreet yelling about, well, it’s hard to make out from the back of this busy room. The set-list simply refers to it as ‘New One’ and like many of this evening’s most highly charged tunes (‘Honestly Do Yr Worst’, ‘Graveyard’) it’s loyally rewarded with whoops and cheers.

Proving that Joanna Gruesome are far heavier live than on record, ‘Last Year’ piles on their multiple guitar and vocal attack until it spills over with My Bloody Valentine force, a comparison strengthened by the ‘You Made Me Realise’ nod of ‘Sugarcrush’ and its none-more-indiepop “Ba-ba-ba/My head explodes” hook.

An encore’s called for but not given – it is Sunday after all – and Joanna Gruesome’s place in Brighton’s indiepop affections appears as strong as ever. They’ve proved their revised frontline live but getting some new songs out soon should help grab back any attention that’s wandered since that enforced shake up.

Hope And Ruin, Sunday 20th March 2016

Words by Stuart Huggett

Mar 23, 2016
Email
Stuart Huggett
Stuart Huggett grew up in Hastings, writing fanzines and blogs about the town’s underground music scene. He has been a regular contributor to SOURCE, NME, The Quietus and Bowlegs. His huge archive of magazines, flyers and vinyl is either an invaluable research tool or a bloody pain. He occasionally runs tinpot record label Dizzy Tiger, DJs sporadically and plays live even less.
← PREVIOUS POST
The Cells, 29th April
NEXT POST →
Ludovico Einaudi Review
Mailing List

Recent Posts
  • Its a Woltering Christmas!
    May 22, 2026

    Today is truly Christmas for fans of the the luscious dream pop output of the Wolter family that has made them some of our favourite musicians.

  • You Oughta Be in Pictures Review
    May 21, 2026

    An interesting tale of early American cinema, with a darkness that draws you in; disquieting, disarming and disturbing.

  • Cowpokes in a Bunkhouse Review
    May 21, 2026

    Uniquely Fringe, intelligent writing, fascinating story, and a masterclass in acting and movement work: a brilliant show, one not to miss.

  • Jim Jones All Stars, Friday 16th October
    May 21, 2026

    Get ready to get sweaty as the king of down and dirty rock 'n' roll returns to Brighton this autumn.

  • 1816: The Year Without a Summer Review
    May 19, 2026

    A gripping, riveting and beautifully told imagining of the famous literally greats at Lake Geneva, including Mary Shelley and Lord Byron.

  • The Dance of Time Review
    May 19, 2026

    Two lovely performances from actors at the top of their game, but a script and production that could benefit from more work.

  • Murder Margaret and Me Review
    May 17, 2026

    An interesting premise, giving us the clashes and friendship between Agatha Christie and Margaret Rutherford, plus a go between of the fictional Miss Marple.

  • Allegra Review
    May 15, 2026

    A hopeful and uplifting play with the effervescent Dame Maureen Lipman bringing sparkling charm to a gorgeous character.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Joanna Gruesome Review - Brighton Source