Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

Moon Duo Review

Apr 11, 2015
-
Posted by Jake Kennedy

Moon Duo, who are actually nowadays a trio since the addition of live drummer John Jeffrey, do what they do well, but it’s the fact they keep doing it, and doing it, and doing it, seemingly getting louder and louder each circuit, that makes it feel as if they’re boring into your skull. For fans of course, this is bliss, but anyone expecting a guitar solo, between song banter or even a fourth chord will leave grumpy.

At The Haunt – the same venue they played two years ago (probably to 90% of the same crowd) – Ripley Johnson and Sanae Yamada dispatched songs from their latest album, Shadow Of The Sun, with their heads down and bobbing. Samples of disembodied voices served to fill the gaps between tracks, while Jeffrey kept rhythm.

And what a rhythm to keep! Moon Duo’s music depends on a metronomic sense of timing, so much so that their first two albums were created with a drum machine. It’s a brave man that takes the kit behind them, but throughout, he was robotic and hypnotic. Yamada played her rack of keyboards effects pedals in a reverie, and the bearded Johnson’s res-o-glass Airline guitar – way cooler in ice white than Jack White’s trademark red version – was one of the more captivating sights on the stage.

Moon Duo were at their best when they were harmonising with each other – in fact, any time Yamada took the mic the sound was boosted dramatically. But these moments were few and far between. And while on record, the live drums take the group into more rocky territory, live they provide a kind of soul, filling the breaks between drones with something approaching the human.

Ultimately this was a night for the hardcore, allowing them to swing aimlessly or nod determinedly. The constantly shifting sound moved from the initial burst of recognition of songs, then off into other shapes and sheets of noise. Was that The Knack we heard? Or Spiritualized, or even 2 Unlimited? God knows, but it was certainly disconcerting. All in a good way, of course.

Moon Duo, The Haunt, Thursday 9th April 2015
Photos by Jon Southcoasting

Apr 11, 2015
Email
Jake Kennedy
Jake has written about music for yonks and once wrote a book on Joy Division’s Unknown Pleasures. He's contributed to The Guardian, NME, Metal Hammer, Record Collector, Nuts and The Angler’s Mail, among others.
← PREVIOUS POST
British Sea Power tickets go on sale
NEXT POST →
The New Tabloids Review
Mailing List

Recent Posts
  • When The Tide Comes In Review
    May 11, 2026

    A gripping and intense coming of age drama, beautifully told; asking us to face assumptions we all make about others, and reflect on privilege.

  • Ghost Light Review
    May 10, 2026

    An interesting if rather gruesome Victorian ghost story with style and atmosphere, and a story with potential for development.

  • On The Beach Festival’s Positive Impact On The City
    May 8, 2026

    Now entering its sixth year, the festival has become a defining part of Brighton’s summer calendar.

  • The Elephant in the Room Review
    May 6, 2026

    A stunning piece of theatre and true story of Joseph Merrick, known as the Elephant Man, with incredible voices and sublime pictures created on stage.

  • The Age Of Consent Review
    May 6, 2026

    Day two of Brighton Festival saw a joyous celebration of Bronski Beat's classic debut album by a host of contemporary queer and trans artists.

  • Lovett Review
    May 5, 2026

    A truly stunning origin story of Mrs Lovett before Sweeney Todd, performed with grounded authenticity and superb, detailed and intriguing acting.

  • Kohlhaas Review
    May 5, 2026

    A gripping whirlwind of an evening as Arinzé Kene opens Brighton Festival with this frenetic world-premiere.

  • The Final Episode Review
    May 1, 2026

    An intriguing and very short one-woman play about a worrying conspiracy theory, exploring how easily something innocent can turn nasty.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
moon duo live review