Type and hit ENTER

Commonly used tags...

Balloon Brighton Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Preview Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Folklore Rooms The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

Ask Me Anything Review

Mar 9, 2020
-
Posted by Ethan Taylor

Theatre company The Paper Birds wrote to young people. They wrote far and wide across the UK, across schools and youth theatres covering various locations and backgrounds. And they asked those young people to write back… with questions. Questions about anything and everything. Any topic, any issue. There was no off-limits as there were no limits. Answering those questions was to become the basis of Ask Me Anything, a new show billed as a “loud, live, love song to not having it all figured out.” With over a hundred responses the creative team certainly had their work cut out for them in replying and we were fortunate enough to listen in.

Directed by Jemma McDonnell, Ask Me Anything takes the questions received and spins the answers into a beautiful, complex web of a show. The three performers – Georgie Coles, Rosie Doonan and Kylie Perry – meet questions on topics covering race, sexuality, identity, love and mental health with honesty and tact through their own chosen methods. Doonan, a singer-songwriter who has performed with the likes of Peter Gabriel and Birdy, performs show-stopping songs about growing up and parenthood. Perry pieces together scenes from her adolescence in comedy sitcom format, inviting us to participate as her live studio audience. And Coles reads extracts from her, at times, hilariously mundane childhood diary. Each method provides insight with its entertainment; there are parables to be found amongst the silliness.

But there is also silliness. Ask Me Anything is fun. It is over the top and packed full of nostalgia. References lost in time resurface to collective gasps and groans; teletext, Tamagotchi, dial-up, Blockbuster. The pace is fast as the performers interweave heartfelt stories and humorous anecdotes with live music, audience participation and video stream. The atmosphere is relaxed and informal and it pays to get there early as you might be able to nab a bean bag for a seat.

By the halfway mark it may seem that this show could be pegged as an homage to the nostalgia it so revels in, or more specifically, as a tribute to the agony aunt columns that littered the magazine pages of the 90s and 00s. But that notion suddenly falls away when, pushing through the iridescent façade of wistful reminiscence, comes a powerful message about growing up. Because growing up is hard and these days it feels like something has gone very wrong. Young people today are told that their opinion matters, but no one is listening. Image is everything, but identity taboo. Google is turned to for the answers as there is no one else. Ask Me Anything goes some way in fighting back. It may not have all the answers but it is all ears to the questions. Image is fleeting and identity to be celebrated. The trio restore humanity to the search engine and the ghost in the machine is a friendly one.

The Paper Birds produce engaging theatre in multiple senses of the word. Ask Me Anything is engaging in that it is entertaining, interesting, of substance. But it also fully engages its audience, wider communities and the people this show is really about. Amidst the cacophony of thoughts, opinions and pretence growing up can be an isolating experience. Ask Me Anything asks what it would be to allow talking to take a backseat in favour of listening and real support for those who need it. “This show is a conversation” we are told and whilst they readily admit that no one has all the answers The Paper Birds certainly seem to have a few of them.

The Old Market, Sunday 8th March 2020

Mar 9, 2020
Email
Ethan Taylor
Brighton-based actor and playwright. Spurs fan, loves a good series and is generally poor at bios.
← PREVIOUS POST
Darwin Deez, Cancelled
NEXT POST →
Hayley Ross Interview
Mailing List

Recent Posts
  • Barnum Review
    Mar 3, 2026

    A feast for the senses: music, singing, and a huge variety of circus stunts: a true spectacle, and a joyful reminder of traditional colourful musicals.

  • Lime Garden Announce New Album and Resident Instore
    Feb 27, 2026

    Lime Garden are back with a new album of killer indie pop and an album launch show.

  • Bold Politics Live Review
    Feb 25, 2026

    Green Party leader Zack Polanski brought his live podcast to Brighton Dome this week with special guest Caroline Lucas.

  • The Constant Wife Review
    Feb 24, 2026

    A masterful adaptation of W. Somerset Maugham’s poignant comedy that will have you laughing, debating and deliberating long after the curtain comes down.

  • Balloon, Tuesday 10th March
    Feb 20, 2026

    Balloon are back with a gorgeous new album 'Gas 'n' Air' that has been deservedly receiving rave reviews. They play the Folklore Room on 10th March.

  • The Next Step Legacy World Tour Review
    Feb 18, 2026

    An exceptional dancing spectacular from the hit TV show The Next Step, with plenty of between the dances sections which fans will adore.

  • The Frank & Walters plus supports, Sat 30th May
    Feb 17, 2026

    A welcome return to Brighton from Cork's indie heroes, with seriously strong support acts.

  • The Rocky Horror Picture Show 50th Anniversary, Fri 17th April
    Feb 17, 2026

    Get dressed up and party with three of the original cast members at a special screening at Brighton Dome.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Ask Me Anything Review - Brighton Source