Contemporary dance meets ballet and Tswana in this awe-inspiring production by South Africa’s award-winning choreographer.

Dada Masilo has one motto: you must first learn the rules, then proceed to break them. The Sacrifice is no exception. With The Rite Of Spring as a guiding inspiration rather than model, Masilo’s production is highly creative and full of surprises, with a completely original score merging operatic singing and traditional African rhythms in lieu of Stravinsky’s classical arrangement.

Right from the start, Pina Bausch’s influence is visible in the minimalistic backdrop and costumes (trees, feet, heads and chests are bare), with very few props and ornaments. This subdued aesthetic allows for the dance itself to be star of the show, with dancers chanting, breathing, yelping, gasping, clapping and stomping as they move around at lightning speed, led by Masilo herself in the main role. Group dances, solos and duos effortlessly alternate to a constantly evolving score, leading to some very endearing and comical interactions between dancers and musicians: “Faster! Slower!”

As the plot develops and darkens, this sense of joy, freedom and playfulness gradually dissipates; we journey towards the inevitable through a whirlwind of tribal incantations and ritualistic dances, culminating in a poignant finale where singer Ann Masina’s incredible voice leaves everyone in the audience speechless.

Bursting with unusual sounds and soulful movements, The Sacrifice is a true emotional rollercoaster. Concluding with a well-deserved standing ovation, its UK premiere couldn’t have been more impactful.

Brighton Dome, Tuesday 21st February 2023
Photos by Tristram Kenton