Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Go_Kart_Mozart
Reviews

Go-Kart Mozart Review

Feb 22, 2018
-
Posted by Stuart Huggett

Don’t call it a comeback. Casual passers-by copping an earful to the unusual mix of warm-up music floating upstairs and out onto Middle Street this inauspicious Tuesday night (from The Pipkins’ ‘Gimme Dat Ding’ to Space’s ‘Magic Fly’ via Television’s ‘Marquee Moon’) wouldn’t expect one of the true cult heroes of British independent music to be readying himself for the stage inside.

For switched-on fans of Go-Kart Mozart, however, the DJ’s mix of 70s bubblegum, synth-disco and literate guitar-play is a key to the mind and music of bandleader Lawrence (no surname, ever). Formerly of highly-rated, sensitive indie pioneers Felt and then hugely under-rated, proto-Britpop cultural gravediggers Denim, Lawrence has spent the past 20 years steering “very first b-side band” (his words) Go-Kart Mozart through a much-interrupted career of catchy but queasy pop-cultural autopsies.

Tonight’s gig, Go-Kart Mozart’s first in ages, turns out to be a bit of a quickie, something of a testing of the boards before the band plays two high-profile launch shows for new album ‘Mozart’s Mini-Mart’ in London later in the week. Opening with the mysterious ‘Anagram Of We Sold Apes’ (answers on a postcard), Lawrence chants the title to a cosmic beat provided by rhythm section Rusty Stone (bass) and Ralph Phillips (drums) and rocking keyboard wizard Terry Miles.

It segues into the synthetic pub-rock stomp of ‘Come On You Lot’, one of Go-Kart Mozart’s more troubling songs (“The girls are as thick as shit… All they want is super-sized silicone tits”), even if Miles’ chanted “You’re a disgrace!” is lifted straight from art-punks Wire’s ’77 debut ‘Mannequin’. It’s a lyrically divisive opener and some of the audience grimace.

It’s not the only discomforting tune in this evening’s set, with the over-in-a-minute rattle of ‘Drinkin’ Um-Bongo’ and the relentless ‘A Black Hood On His Head’ taking on Rwandan genocide and streamed ISIS executions respectively, to a loopy mix of Glitter Beat rhythms and Hot Butter synth pops. As with many great, seemingly psycically gifted songwriters, Lawrence has often been a partially accidental lightning rod to the worries of the modern age, picking at subjects that unnerve and disgust him long before they manifest fully as tabloid bugbears.

This point underplays his level-headed West Midlands cheerfulness, however, and tonight’s show is genuinely a fun one. We learn how Lawrence used to live locally in Brunswick Square (“With Primal Scream, Alan McGee and everyone. We used to have our own block. We were hated, actually”), jump about to an obscure Cliff Richard cover (1969’s ‘Big Ship’, penned by Lawrence’s fellow Brummie Raymond Froggatt) and sing along to the actually quite autobiographical revelations of ‘When You’re Depressed’ and – so good they played it twice – ‘Relative Poverty’, the latter (“I’m living on a tenner a day”) accompanied by audience member Vic Godard of Subway Sect attempting to stuff said notes in Lawrence’s pockets.

Don’t call it a comeback then. Lawrence has always been the ghost at British pop’s feast.

Sticky Mike’s Frog Bar, Tuesday 20th February 2018

Words by Stuart Huggett

Feb 22, 2018
Email
Stuart Huggett
Stuart Huggett grew up in Hastings, writing fanzines and blogs about the town’s underground music scene. He has been a regular contributor to SOURCE, NME, The Quietus and Bowlegs. His huge archive of magazines, flyers and vinyl is either an invaluable research tool or a bloody pain. He occasionally runs tinpot record label Dizzy Tiger, DJs sporadically and plays live even less.
← PREVIOUS POST
Silo Ups Its Attack On Food Waste
NEXT POST →
Paul Draper Review
Mailing List

Recent Posts
  • Brighton Psych Fest 2025 Review
    Sep 26, 2025

    The second Brighton Psych Fest was a beauty as we got down with Getdown Services as the evening sunlight glowed through the Concorde Stained Glass.

  • David Devant & His Spirit Wife, Friday 12th December
    Sep 23, 2025

    One of Brighton's greatest live bands returns for a pre-Xmas homecoming party.

  • Nick Cave To Play Exclusive Brighton Show Next Summer
    Sep 15, 2025

    Nick Cave returns to Brighton next Summer for an exclusive show with The Bad Seeds in Preston Park.

  • Death Comes to Pemberley Review
    Sep 3, 2025

    Set six years after the marriage of Elizabeth to Mr Darcy, a murder on their estate takes this story into thriller territory.

  • The Lightning Thief Review
    Sep 1, 2025

    A high octane modern musical coming of age adventure about demi-god teens, complete with committed performances, stunning voices, and brilliantly inventive staging.

  • Betty Boo, Sunday 23rd November
    Sep 1, 2025

    The legendary Betty Boo is going on her first ever solo UK tour and you can catch her at The Green Door Store in November.

  • Mutations Festival 2025 Line Up Announcement
    Aug 28, 2025

    FORM are treating us to a Bonfire Weekend full of warm goodness, bangers and fireworks!

  • Pride And Prejudice Review
    Aug 27, 2025

    A beautifully realised adaptation of one of Jane Austen’s best loved books: giving us a grounded, real and hilarious retelling in perfect balance.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Go-Kart Mozart Review - Brighton Source