Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

Review: Ghostpoet

Nov 21, 2011
-
Posted by Thea Wise

Ghostpoet

Excited about the intimate setting of Digital, this rescheduled gig definitely ignited a lot of hype. The dark, cave-like setting had water dripping down the walls from the leaky pipes overhead; not your average greeting when entering a venue, but for some reason felt fittingly appropriate for the style and genre of artist’s that were to grace the stage.

Support act Breton were to put it simply, one of the most talented bands I personally have witnessed in ages. Surging evocative sounds of Foals with those classic twinkling guitar riffs and impressive bass, the only thing slightly different was the fact that they were very heavy on the synth front. The Synth sound has made a huge come-back into the scene and is that popular, trendy sound that seems to have been embroidered into much of the electro-pop scene of late. Strong vocals and garish yellow high-tops made their lead singer imprint on the memories of many.

Totally amped for Ghostpoet, the crowd glistened with sweaty blemishes after the pleasing performance from Breton. As the timid trio grouped on stage, the audience watched as they locked arms and heads for some kind of pre-show prayer or ritual? Despite their quiet entrance, their stage presence was the complete opposite. Lead singer Obaro’s smile glistened through the purpley, blue atmospheric lighting as he preached about how he had “come to play a few little ditties by the seaside”. The addition of a smoke machine added the suitable notion of foggy dankness and those damn drips from the ceiling just seemed to make it feel even more like a dungeon.

Frustratingly, the vocals to begin with were massively distorted, disallowing Obaro’s delicate words to be clearly emitted through his mic. The bass was brain shatteringly heavy, with collective looks of concern for our eardrums’ safety and wellbeing. With a sigh of relief, this had fortunately all been adjusted by the time ‘Cash and Carry Me Home’ was played. Other strengths lay in the performance of latest track ‘Liiines’ and ‘Survive it’ which had even the coolest kids nodding with appreciation.

Overall, very ‘scene’, very cool and totally lives up to their band name. Imagine a ghost writing poetry and yeah… you’ve got Ghostpoet.

Ghostpoet
Brighton Digital, Saturday 12th November
Words by Thea Wise

Nov 21, 2011
Email
← PREVIOUS POST
Review: The Antlers
NEXT POST →
Interview: Jeremy Lo
Mailing List

Recent Posts
  • Murder Margaret and Me Review
    May 17, 2026

    An interesting premise, giving us the clashes and friendship between Agatha Christie and Margaret Rutherford, plus a go between of the fictional Miss Marple.

  • Allegra Review
    May 15, 2026

    A hopeful and uplifting play with the effervescent Dame Maureen Lipman bringing sparkling charm to a gorgeous character.

  • Wench Review
    May 12, 2026

    A full, funny and poignant full musical, with rich and bold writing, told in cabaret style, of the life of accused witch Martha Tallow.

  • When The Tide Comes In Review
    May 11, 2026

    A gripping and intense coming of age drama, beautifully told; asking us to face assumptions we all make about others, and reflect on privilege.

  • Ghost Light Review
    May 10, 2026

    An interesting if rather gruesome Victorian ghost story with style and atmosphere, and a story with potential for development.

  • On The Beach Festival’s Positive Impact On The City
    May 8, 2026

    Now entering its sixth year, the festival has become a defining part of Brighton’s summer calendar.

  • The Elephant in the Room Review
    May 6, 2026

    A stunning piece of theatre and true story of Joseph Merrick, known as the Elephant Man, with incredible voices and sublime pictures created on stage.

  • The Age Of Consent Review
    May 6, 2026

    Day two of Brighton Festival saw a joyous celebration of Bronski Beat's classic debut album by a host of contemporary queer and trans artists.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Review: Ghostpoet - Brighton Source