Type and hit ENTER

Commonly used tags...

2026 Anna Calvi Ash Badly Drawn Boy Big Boutique Brighton Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Editors Eliza Skelton FatBoy Slim Lewes Psychedelic Festival Lime Garden Locally Sourced Lost & Found Love Supreme Festival Maccabees Melting Vinyl Miles Kane Mutations Festival Nick Cave On The Beach Passenger Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Sairie Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Thursday Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
The Chills
The Chills
Reviews

The Chills Review

May 31, 2016
-
Posted by Stuart Huggett

It isn’t just geographical distance that’s left Dunedin, New Zealand indie legends The Chills out in the cold for so long. Founded in 1979 by songwriter and sole constant member Martin Phillips, a glance at the group’s Soft Bomb website reveals an ongoing history of hundreds of shows, year upon year, but almost entirely confined to their home country.

Logistical reasons aside, Phillips has long been dealing with some serious health issues (seek out his 2014 interview with The Guardian for the full tragic story) and it’s impressive that he’s kept The Chills going at all, let alone returned with as an uplifting, big hearted and joyous comeback as last year’s fifth album ‘Silver Bullets’.

Suitably, the five Chills open under blue light with ‘Night Of Chill Blue’, Phillips striking his guitar, violinist Erica Scally and keyboardist Oli Wilson filling out the flowing sound. The very early indiepop of 1982’s ‘Kaleidoscope World’ follows: their leading contribution to seminal NZ compilation EP the ‘Dunedin Double’, it’s the song that introduced The Chills to the wider world (spotters’ note: the essential singles compilation of the same name gets a long overdue repress this autumn).

Aside from their bright and rippling melodies, what tonight’s selections from ‘Silver Bullets’ prove is how humane Phillips’ view of the world is. ‘Aurora Corona’ prays to nature (“Oh Gaia, don’t bury us / We will do better”), ‘America Says Hello’ tackles geo-politics (“There’s a rocket attack / Then a property boom”), the lengthy ‘Pyramid/When The Poor Can Reach The Moon’ suite a socialist call for economic equality. “We’ve only played it in its entirety once so far,” admits Phillips but The Chills navigate its shift from thumping rhythm to multi-layered vocal hymn with ease.

Alongside one new song ‘Easy Peasy’, the band leave few favourites unplayed: the Big Ben chimes of ‘Doledrums’, a thrilling ‘The Male Monster From The Id’, and one of music’s most simple declarations of pure love, the yearning ‘Wet Blanket’. When they play death classic ‘Pink Frost’, here in a revised arrangement, we will time to suspend itself to prolong the single’s beautiful devastation all the longer. “There’s none on Discogs!” wails an audience member afterwards. “Well,” Phillips replies in mock outrage, “We’ve got to do something about that!”

The Chills are pushing the curfew with ‘Rolling Moon’ when Phillips announces one more song to go. “’Heavenly Pop Hit’! Or else!” challenge the crowd. Instead it’s ‘I Love My Leather Jacket’, an audience rush pushing its urgent groove to the close. With a set of songs this strong and The Chills in good humour throughout it’s been a heart-warming night.

West Hill Hall, Saturday 28th May 2016

Words by Stuart Huggett

May 31, 2016
Email
Stuart Huggett
Stuart Huggett grew up in Hastings, writing fanzines and blogs about the town’s underground music scene. He has been a regular contributor to SOURCE, NME, The Quietus and Bowlegs. His huge archive of magazines, flyers and vinyl is either an invaluable research tool or a bloody pain. He occasionally runs tinpot record label Dizzy Tiger, DJs sporadically and plays live even less.
← PREVIOUS POST
Cate Le Bon Review
NEXT POST →
Brighton Open Air Theatre
Mailing List

Recent Posts
  • Rachel Love, Exploding Flowers and Telecom, Friday 8th August.
    Jul 30, 2026

    The wonderful Rachel Love headlines a triple bill of gorgeous guitar pop at The Albert.

  • Charlie Keen's Silver Birch
    Port of Cool, Review
    Jul 26, 2026

    A brilliantly bonkers afternoon of sunshine, good beer and inescapably cool shit in the Sussex sunshine at the first chapter of the Newhaven festival.

  • The Maccabees On The Beach Review
    Jul 26, 2026

    The Maccabees returned to Brighton for a massive rock festival On The Beach this Saturday. Words and Pictures here from Brighton Source.

  • Madness On The Beach Review
    Jul 25, 2026

    The Nutty Boys delivered a set of pop ska classics with superb support from old mates The Blockheads and The Selecter.

  • Three people smiling together
    Brighton Bash Carnival, Saturday 25 July
    Jul 20, 2026

    "This is an invitation to the whole city to come together, connect and move forward as one." - BARCO

  • Mike D 5D and Fat Dog Headline Mutations Festival!
    Jul 20, 2026

    Mike D 5D and Fat Dog are going to be rocking the sure shot for sure at this year's Mutations Festival.

  • Appropriate Review
    Jul 18, 2026

    A stunning piece of theatre from start to finish, with some uncomfortable and challenging themes but also laugh out loud moments. Unmissable.

  • PORT OF COOL FLYER
    Port of Cool, Saturday 25 July
    Jul 18, 2026

    Welcome to The Port Of Cool, Newhaven's new left-field festival worth discovering. Is this Sussex's next 'hidden gem'?

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
The Chills Review - Brighton Source