Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Homegrown Festival Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave On The Beach Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

The War On Drugs Review

Jun 21, 2023
-
Posted by Sarah Brownlow

If at some point in the future, artificial intelligence becomes clever enough to create a band that has all the ingredients of a classic American rock band, then surely The War On Drugs would be just that band. Except that that band already exists and were playing a sold-out gig in Brighton after an absence of far too many years for our liking. The band have been performing in Europe for the last couple of weeks, playing the early summer festival circuit before their tour culminates next Sunday at Glastonbury Festival’s Other Stage.

Their musical style, for those who are unfamiliar, is best described as a melting pot of classic Neil Young, crossed with Bob Dylan and Bruce Springsteen. Singer Adam Granduciel’s vocals do, at times, have a real Dylan sound to them. Granduciel is a virtuoso guitarist and has more effects pedals in front of his feet than we’ve seen in a long while. The rest of the band are largely a supporting cast behind Granduciel, but this is not to demean their contribution to the music in any way – they add so many extra layers to this immersive sonic experience.

Visually, the band remain largely static on stage. Only Granduciel moves around as he lurches back and forth between visits to the pedal board, and at times around the stage as if motivating his band to play that little bit harder. He is a tour de force of a guitarist (and changes guitar pretty much every time between songs), so you cannot help but feel yourself drawn into the music.

The show is mostly made up of songs from their latest album, ‘I Don’t Live Here Anymore’, alongside some favourites from their breakout record ‘Lost In Dream’. Chat is kept to a minimum, mostly just polite thanks in breaks between songs, though Granduciel does reminisce over his last visit to Brighton in 2014 at Concorde 2, where electrical problems with the band’s gear meant the audience were all offered a free drink to compensate for the problem. Fortunately, there are no technical gremlins tonight and the sound is crystal clear. Granduciel asks keyboard player Robbie Bennett about his newly purchased jacket that was bought earlier in the afternoon on a shopping trip to The Lanes. They clearly love playing Brighton, but then what band doesn’t?

The set goes by in a flash and the final two songs ‘Under The Pressure’, and ‘I Don’t Live Here Anymore’, both sound magnificent; the former is turned into an epic full-on extended rock out with amazing lighting to match the song’s epic intensity. What a way to end a pulsating evening of music.

Tonight’s support act was Beth Orton; the Norfolk-born musician, a strange act to play second fiddle. In many ways her folktronica music is a million miles away from The War On Drugs’ big rock sound but went down well with the packed Brighton Centre crowd. She seemed rather nervous at the start of the set but grew in confidence as the crowd responded to her songs, mostly taken from her recent album ‘Weather Alive’. She finished her short, seven-song set with an acoustic version of ‘Stolen Car’, her big hit from 1999. The rest of the band left the stage, leaving just Orton playing acoustic guitar, her fragile voice gave a new dimension to the song, this was the highlight of her all too brief set.

Brighton Centre, Saturday 17th June 2023
Words by Richard Warren
Photos by Sarah Brownlow (Instagram Sarah_Brownlow)

Jun 21, 2023
Email
Sarah Brownlow
Sarah Brownlow is a music and culture photographer and teacher of all things creative.
She is a visual storyteller with a raw and celebratory style.
← PREVIOUS POST
Review: Dilsk at Drakes Hotel
NEXT POST →
Creep Show Review
Mailing List

Recent Posts
  • The Haunting Of Hill House Review
    Oct 20, 2026

    An interesting new adaption of Shirley Jackson’s classic novel, with jump scares aplenty, some attention-grabbing effects, and solid performances.

  • Panic-Shack-The-Prince-Albert-Time-for-Heroes-Photography-Ashley-Laurence
    Top Tips For Mutations Festival 2026
    Oct 20, 2026

    Mutations have pulled together a banger of a line up. Team Source has you covered with top tips on who to see from people involved and bands who are playing.

  • The Coal Shed Turns 15 with Three Courses for £35 at 2011 Prices
    Oct 18, 2026

    Celebrate with the Coal Shed and catch this deal before 25th October

  • Bathing Suits Live At The Volks
    Oct 17, 2026

    Bathing Suits free show at the Volks laughs in the face in the face of gear trouble and kicks out the jams, whipping up the crowd into a frenzy.

  • Alison Moyet Review
    Oct 17, 2026

    A sold out Brighton Dome was enthralled at a homecoming gig from Alison Moyet, as she returned to her electropop back catalogue.

  • The Dirty Work Review
    Oct 16, 2026

    Sublime magic show that utilises dance, drama and deception pull back the curtain on the life of a VIP - a Visually Impaired Person.

  • First Names Announced For On The Beach 2027
    Oct 16, 2026

    Following this year's successful run of shows, the first headliners for 2027 have been revealed.

  • The Jack Cades
    The Jack Cades, The Last of The Lovely Days and more, Sat 21 Nov
    Oct 14, 2026

    The Jack Cades return to the Prince Albert, with Last of the Lovely Days and Bity Booker supporting.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
The War On Drugs Review - Brighton Source