Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Reviews

Warpaint Review

Feb 8, 2014
-
Posted by Paul Ord

“It’s not every day you get to support one of your favourite bands,” acknowledges Rich O’Flynn of support act All We Are – whose set proves a strong textural match for the headliners’, albeit more sugary in surface.

And it’s easy to see why the opportunity is so exciting for him: the moment Stella Mozgawa playfully skips onstage towards her kit, and the stark enticing drums and hypnotic bass of set openers ‘Intro/Keep It Healthy’ hit the crowd, it’s clear we’re in for a masterclass in mood building from the main act.

Met with cheers of recognition, standout album track ‘Love Is To Die’ is conspicuous for the accessibility of its melody, though it still wrong-foots many with the unusual chord shift of the chorus. With its hefty bass, addictive synth and lofty vocals, ‘Biggie’ epitomises the flavour of the band’s recent release – perhaps offering a taste of what to expect from the group’s future direction.

Standing centre stage throughout is Jenny Lee Lindberg on bass; the enthusiasm and rigour of her playing underpinning all other sonic extremities – from syncopated cascades of guitar and drums, to soaring vocal ornamentations. Never wavering in her focus, or the sheer joy of playing, she’ll have left many with a fresh appreciation of her chosen instrument.

The arrival of ‘Disco//Very’ merits a ‘dance party’ in the eyes of the band, and here the lights come up at their request – the better to see everyone shake their stuff. The less shy members of the crowd oblige, though the majority are happy to simply stand in awe. The usual stylistic comparisons can be made of course – with Cocteau Twins, Radiohead, even Kate Bush – but these only belie the defining characteristic of Warpaint’s music; it’s of great quality, but no genre. All the better for it.

Listeners of their new eponymously titled album will have seen the group arrive at a more intimate ‘same room’ sound, something that – for the shape and size of the venue – can’t be replicated in tonight’s performance.

But tonight the intimacy comes across in other ways: through the sheer warmth of the band, their direct addresses to the crowd, and the intensity with which they play. Keen to please and grateful for their audience as they are, this is a band who make music for themselves – four friends locked in a rich creative exchange. You can almost believe they’d have just as much fun without us.

Brighton Dome, Thursday 23rd January 2014
Words by Paul Ord

Feb 8, 2014
Email
← PREVIOUS POST
The Hundredth Anniversary Review
NEXT POST →
Nathan Salsburg, Weds 2nd April
Mailing List

Recent Posts
  • Levellers Announce Full Support Line Up For Hove Park Show
    Jun 26, 2026

    Levellers have released details of the eclectic supports for their exclusive Hove Park show.

  • Opus Kink Announce Debut Album and Launch Show
    Jun 24, 2026

    We love the gothic glory that is Opus Kink who are releasing their long awaited debut album.

  • The Great Escape 2026 Review: Part 2
    Jun 20, 2026

    Peaches provides the teaching, while Morn, Maquina and Alice Faye provide all that is glorious about live music.

  • Caterpillar Review
    Jun 20, 2026

    Set over the weekend of a seaside town’s ‘Birdman Festival’, this play concerns three characters in a Bed and Breakfast.

  • HENGE, Friday 19th March 2027
    Jun 19, 2026

    The Mancunian space rockers will be landing back in Brighton as part of a huge world tour. Prepare for lift off.

  • You’ve Gone Quiet Review
    Jun 19, 2026

    A truly groundbreaking piece of theatre, beautifully written and stunningly realised, where we as the audience become the main character Beth: a Trans Woman.

  • The Great Escape 2026 Review: Part 1
    Jun 17, 2026

    As the world goes dotty for the dotty ones from outer space TGE deliver the hottest ticket in the country twice.

  • Priscilla Queen Of The Desert Review
    Jun 17, 2026

    A shimmering shining lavish spectacle of glitz and glamour: all singing, all dancing, yet character, story and depth at its heart. An eye popping must see show.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Warpaint Review - Brighton Source