Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Mike Skinner
Reviews

The D.O.T. Review

Nov 15, 2012
-
Posted by Stuart Huggett

After 10 years of mainstream highs and personal lows, Mike Skinner finally called time on The Streets last November. Since then, he’s been busy making music as The D.O.T. with singer Rob Harvey, formerly of Leeds’ anthemic psychedelicists The Music, who’d guested on last year’s final Streets album ‘Computers And Blues’. It’s a productive partnership, with the pair posting numerous tracks and videos online this past year: last month’s fragmented debut album ‘And That’ contained seemingly just a random song selection, and tonight’s set contains half as many new ones again.

In open shirt and black jacket, Skinner plays host, sniffing his way onstage (“All I can smell in here is yeast. And farts”) and settling behind his mixing gear. Harvey’s more subdued, hood up, as the pair break into album opener ‘And A Hero’, sharing vocals as Skinner fires off classic rave blasts. The crowd are nodding along appreciatively but there’s no time for applause as Skinner cuts rapidly from one song to the next, Harvey shedding his hoodie and strapping on his electric.

There’s still a loose, work-in-progress feel to The D.O.T. tonight, Harvey’s skilled guitar soloing and strained soul vocals mixing variably with Skinner’s bolts of techno, house and garage beats. Odd tracks don’t quite gel, but there’s a large section of the crowd who clearly adore Skinner from way back, and a brace of more familiar songs (‘Whatever It Takes’, from Skinners’ Inbetweeners Movie soundtrack, through to the Streets-strength ‘Shut Up And Keep Talking’) see the gig take off, with dancing, grinding and waving breaking out across the room.

The huge “D! O! T!” chant (no, we still don’t know what it stands for: probably not the Department Of Transport though) that calls them back for their ‘You Never Asked’ encore proves that Skinner and Harvey have sustained a fanbase for this debut tour. As partially reformed hedonists, the duo now seem wise enough to care little for the mass appeal The Music aimed for and The Streets achieved, but the best of tonight’s show – its pounding club beats and considered comedown lyrics – hit home for many. Cult status, at least, seems assured.

Haunt, Saturday 10th November 2012
Words by Stuart Huggett
Photos by Mike Tudor @ Studio85

Nov 15, 2012
Email
Stuart Huggett
Stuart Huggett grew up in Hastings, writing fanzines and blogs about the town’s underground music scene. He has been a regular contributor to SOURCE, NME, The Quietus and Bowlegs. His huge archive of magazines, flyers and vinyl is either an invaluable research tool or a bloody pain. He occasionally runs tinpot record label Dizzy Tiger, DJs sporadically and plays live even less.
← PREVIOUS POST
Brighton Rockers Interview
NEXT POST →
Major Lazer Review
Mailing List

Recent Posts
  • Murder Margaret and Me Review
    May 17, 2026

    An interesting premise, giving us the clashes and friendship between Agatha Christie and Margaret Rutherford, plus a go between of the fictional Miss Marple.

  • Allegra Review
    May 15, 2026

    A hopeful and uplifting play with the effervescent Dame Maureen Lipman bringing sparkling charm to a gorgeous character.

  • Wench Review
    May 12, 2026

    A full, funny and poignant full musical, with rich and bold writing, told in cabaret style, of the life of accused witch Martha Tallow.

  • When The Tide Comes In Review
    May 11, 2026

    A gripping and intense coming of age drama, beautifully told; asking us to face assumptions we all make about others, and reflect on privilege.

  • Ghost Light Review
    May 10, 2026

    An interesting if rather gruesome Victorian ghost story with style and atmosphere, and a story with potential for development.

  • On The Beach Festival’s Positive Impact On The City
    May 8, 2026

    Now entering its sixth year, the festival has become a defining part of Brighton’s summer calendar.

  • The Elephant in the Room Review
    May 6, 2026

    A stunning piece of theatre and true story of Joseph Merrick, known as the Elephant Man, with incredible voices and sublime pictures created on stage.

  • The Age Of Consent Review
    May 6, 2026

    Day two of Brighton Festival saw a joyous celebration of Bronski Beat's classic debut album by a host of contemporary queer and trans artists.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
The D.O.T. Review - Brighton Source