Type and hit ENTER

Commonly used tags...

Brighton Festival Brighton Fringe Brighton Pride British Sea Power Cinecity Lewes Psychedelic Festival Locally Sourced Lost & Found Love Supreme Festival Mutations Festival Nick Cave Poets Vs MCs Politics Rag'n'Bone Man Record Store Day Save Our Venues Six Of The Best Source Virgins Streets Of Brighton Street Source Tattoos The Great Escape Tru Thoughts Unsung Heroes
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
  • Contribute
  • Advertise
  • Home
  • News
  • Previews
  • Reviews
  • Features
  • Food
  • Tickets
  • Contact
    • Contact
    • Contribute
    • Advertise
Erasure
Erasure
Reviews

Erasure Review

Feb 26, 2018
-
Posted by Stuart Huggett

Over three decades and seventeen albums, Erasure’s popularity has risen and fallen in waves. Some years, impassive synth king Vince Clarke and effervescent vocalist Andy Bell have been big enough to fill the Brighton Centre. Other times they return here to the Dome, site of their 1987 concert film Live At The Seaside. Touring current album ‘World Be Gone’, the size and enthusiasm of Erasure’s crowd tonight shows they’ve retained a very loyal fanbase, or that will never tire of a huge singalong to the hits.

As the TV theme to Tales Of The Unexpected plays, the stage lights up in an arrangement of neon lit cubes. Silhouetted behind curtains, singers Valerie Chalmers and Emma Whittle dance and mimic the show’s titles as Clarke climbs up onto his towering keyboard podium. With a paint-spattered jacket above and angularly patterned stockings below, Bell settles on a simple saloon chair to croon the plaintive intro to early single ‘Oh L’amour’.

As Bell moves on to sing smoothly with the crowd through ‘Ship Of Fools’ it’s an obvious clue that it’s their initial run of singles collected on the best-selling ‘Pop! The First 20 Hits’ that remain their most vital work for many, regardless of the quality of the songs that followed. From the vocal gymnastics of 1994’s ‘I Love Saturday’, through the dizzying embrace of ‘Sacred’ to the uplifting beauty of ‘World Be Gone’, there are plenty that maintain Clarke and Bell’s high standards.

With the reticent Clarke staying in the shadows as always, it’s Bell who must carry the crowd and he does so with unrelenting good humour and showmanship. With a joke, an anecdote or a piece of self-deprecating banter between every song, we could fill a whole review by simply quoting him. Let’s just say that his enthusiasm for Pride’s Britney Spears booking this summer (“And I hope you’re all looking forward to a million pound Council Tax bill next year”) won us over easily.

It’s around an hour into the show that things step up yet another notch. The tumbling piano of ‘Blue Savannah’ rings out with the entire hall joining Bell in full voice, followed straight after by a thundering cover of Blondie’s ‘Atomic’, the boisterous ‘Drama!’ and banging Christmas smash ‘Stop!’ Everybody hollers along with abandon.

There’s a little dip with lesser known singles ‘Love You To The Sky’, ‘Always’ and ‘Here I Go Impossible Again’, although there are fans down the front who know the words to the lot, before the show climaxes with long-ago breakthrough hit ‘Sometimes’, still the musical equivalent to swirling round the fairground waltzers on your summer holidays.

With just space for a short encore, it’s inevitably time for ‘A Little Respect’, Clarke taking his acoustic guitar down to the stage with Bell and friends for the one Erasure single that’s become bigger than the band itself, a song that thousands can sing along to without knowing or caring who it was originally by. And ultimately that is the mark of a truly great pop group.

Brighton Dome, Monday 19th February 2018

Words by Stuart Huggett

Feb 26, 2018
Email
Stuart Huggett
Stuart Huggett grew up in Hastings, writing fanzines and blogs about the town’s underground music scene. He has been a regular contributor to SOURCE, NME, The Quietus and Bowlegs. His huge archive of magazines, flyers and vinyl is either an invaluable research tool or a bloody pain. He occasionally runs tinpot record label Dizzy Tiger, DJs sporadically and plays live even less.
← PREVIOUS POST
I'd Be Lost Without It Review
NEXT POST →
Amp Fiddler + Abi Flynn, Sat 24th March
Mailing List

Recent Posts
  • Death Comes to Pemberley Review
    Sep 3, 2025

    Set six years after the marriage of Elizabeth to Mr Darcy, a murder on their estate takes this story into thriller territory.

  • Betty Boo, Sunday 23rd November
    Sep 1, 2025

    The legendary Betty Boo is going on her first ever solo UK tour and you can catch her at The Green Door Store in November.

  • Mutations Festival 2025 Line Up Announcement
    Aug 28, 2025

    FORM are treating us to a Bonfire Weekend full of warm goodness, bangers and fireworks!

  • Pride And Prejudice Review
    Aug 27, 2025

    A beautifully realised adaptation of one of Jane Austen’s best loved books: giving us a grounded, real and hilarious retelling in perfect balance.

  • Suddenly Last Summer Preview
    Aug 26, 2025

    A stunning version of a lesser known Tennessee Williams play, by the brilliant Conor Baum Company. Don’t miss it.

  • Band Of Holy Joy, Sunday 26th October
    Aug 14, 2025

    The mighty Band Of Holy Joy return to Brighton for a rare matinee show. With support from Asbo Derek.

  • Short Plays 2025 at New Venture Theatre Review
    Aug 1, 2025

    An intriguing evening of short plays as different from each other as apples, text books, motorways, a haircut and moonrock.

  • Matthew Bourne’s The Midnight Bell Review
    Jul 30, 2025

    A stunning, must see show, where the most talented dancers convey the most fascinating and gripping stories of love, connections and betrayals in and around London in the 1930s.

Website developed in Brighton by Infobo
Copyright © Brighton Source 2009-2023
Erasure Review - Brighton Source